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The 2024 winners were chosen by an expert judging panel consisting of printmaker and previous Illustration Awards winner James Albon, author, illustrator, and animator Yasmeen Ismail, founder and director of Gran Salón Mexico Maru Aguzzi, and esteemed illustrator and cartoonist Chris Riddell. Shepard, Quentin Blake, and Posy Simmonds.
On the other end of the spectrum, there's Dror Cohen, whose textured paintings act as a refreshing palette cleanser and draw the viewer in with their sparse details. As a student, I experimented with many techniques - aquarelle, pencils, oil and gouache, ink, printmaking, etc. "I
Gérard - who was commissioned to illustrate a new edition of Cormac McCarthy's The Road published by The Folio Society – impressed judges with his acrylic paintings that perfectly capture the beauty and brutality of McCarthy's text. Kerry's primarily digital work used hand-drawn textures and layers to add depth and detail to her cover.
They have a heavy output of students entering the publishing world; however, moving down south was never feasible. I predominantly use dip and reed pens for linework, pencil crayon and pastels for texture, and brushes for more painterly marks with watercolour and gouache," he says.
She works in an array of mediums from printmaking and ink-based illustrations to mixed-media installations and fiber, pushing the limits of human anatomy into the realm of the absurd or subversive. With a background in medicine, Edinburgh-based artist Flore Gardner fosters a creative practice that explores the body and its untapped potential.
But there was a time when I couldn’t move forward with a story I was supposed to publish,” she tells CR. For a texture like printmaking, I use a brush and layer effect. I sometimes buy the texture from the maker, or use ones I’ve personally scanned or shot.”
Open Calls On the Shelf: A Photo Book Exhibition (International) In conjunction with the 2024 Filter Photo Festival, Filter Photo is hosting an open theme call for well-conceived, original, and compelling photo books, whether self-published, handmade, or commercially published. One winner will receive $500. There is a $25 entry fee.
In his series of mounted printing blocks, he highlights the curving textures of lilies sprouting from a scarab beetle or leaves emanating from the body of a trotting horse. Become a Colossal Member today and support independent arts publishing for as little as $5 per month. Do stories and artists like this matter to you?
AAP Magazine 42 Shapes (International) All About Photo is seeking cohesive bodies of work for its 42nd issue centered around shapes and “the elements that abstract into light, texture, shape, and shadow.” Become a Colossal Member today and support independent arts publishing for as little as $5 per month.
Typeland’s beautifully crafted typeface uses a selection of beautiful and intricate editorial decorations from Shakespeare’s original folio, published 7 years after the playwright’s death. Read more about Amifer Folio 4. They also a created a colour palette, wordmark and logo to help make this a truly global brand. Read more about Wise 9.
Often using her family, friends, and self as subjects, Hobbs creates densely textured prints and paintings depicting quiet moments of affection and connection. Opening early next year, Carving a New Tradition celebrates the artist’s significant contributions to printmaking and considers how her oeuvre amends the art historical canon.
A 2021 solo show at UTA Artist Space exhibited portraits bisected by angular blocks textured like wood, brick, and cinder, allowing fragments of the uniform roadways to emerge through facial features. Become a Colossal Member today and support independent arts publishing for as little as $5 per month.
Noa Denmon is a Pittsburgh-based illustrator, who creates detailed editorial illustrations for a clients such as The New York Times, The Washington Post and Macmillan Publishers. Her subject matter has a strong lean to portraiture and character, with her digital illustrations evoking the texture and energy of traditional media.
The reproduction technique is taken from Limerick printmakers, which is a traditional craft in the region. Last year, Limerick’s council published a Tourism Development Strategy in an attempt to “revitalise” the sector.
But it wasn’t until college, when she took an Intro to Printmaking class, that she became enthralled with the practice’s myriad methods. She is fascinated by the environment’s infinite interaction of colors, textures, patterns, and symmetry. “Zantedeschia Albomaculata, a.k.a.
“It might seem like a small change, but it makes a big difference to the character and texture of the print,” the artist explains. Become a Colossal Member today and support independent arts publishing for as little as $7 per month. “The more handmade the finished print looks the happier I am.”
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