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Her origami-inspired technique transforms paintings into oversized wall sculptures through experimentation with proportion and patterning. Susan Maddux Shares Her Vintage Textiles, Art Collection + More Los Angeles-based artist Susan Maddux makes works that are an incredible three-dimensional experience drawing.
The collection, which includes two chairs, a table, a bench, a stool, pendant light, a shelf, and a sculptural floor light, look almost glass-like, with textures and imperfections reminiscent of ceramics.
The Brooklyn-based manufacturer and designer has been a leader in the American furniture manufacturing industry for the past decade. Along the way they’ve consistently provided small, emerging designers access to production that’s generally reserved for big brand names and large manufacturers.
Australian New Volumes’ approach to furnishings and objects could be surmised to be one in response to the diminishing presence of the natural, textural, and the imperfect – designs defined by a materiality serving modern living innately attuned to the earthly elements.
Wedge Chair + Cube Chairs “I wanted to create something both playful and sculptural yet familiar and nostalgic,” says Chao, founder of From: C. There’s a playful lightheartedness, yet sculptural geometric purity, associated with the shapes that I wanted to celebrate.
Unlike minimalism, which strives for visual restraint, maximalism encourages designers to layer textures, combine multiple styles, and create a sense of abundance. A minimalist logo with a splash of maximalist color or texture gives brands a modern yet bold identity.
By itself, Adagio is quite simple, but as you configure dozens of the modules together, slowly (that is, in adagio), a grand sculpture comes together, transforming blank walls into gallery-worthy installations. Beyond its aesthetic beauty, Adagio reflects Mutina’s commitment to sustainability.
Manufactured to last, Aava 02 should be around for generations to come. L-shaped recycled polypropylene legs give the modules a light, sculptural look and access for cleaning underneath. Doshi Levien’s collection provides essential shapes with a sculptural touch that are finished with attention to surface and texture.
At their simplest, they are sustainably manufactured, recycled plastic beams with holes in them – together they can be used as a modular system to make almost anything, from seating to sleeping pods. Deze Beams (“these beams”) originated from a collaboration between Plastiek Breda and Soeps Creative Collective.
I grab inspiration from organic shapes that I find in nature or textures that occur in manufactured things over time through erosion," he says. I began to think of ways to use this texture and tried to find a purpose for it because I really liked it. "I
Hideki's team also crafted sculptures that surround the car, which are physically identical but use internal lighting with different textures to represent the idea of personalisation. To some, this might sound like a lot of marketing spin, and you might think: what is a car manufacturer doing commissioning expensive artworks?
The two are applying their fine arts backgrounds and technical know-how to tackle the horrors of waste using traceable recycled PLA filament – formally food packaging – as a raw material to 3D print their sculptural objects. Guy’s actually custom-building the printer right here in the studio. It’s brand new,” Martinez adds.
Available in four silhouettes, the vessels emulate a surprising visual warmth through texture and color, and can be utilized as seating, tables, and planters. The base of this furnishing is made from 100% post-consumer recycled plastic with manufacturing in both Australia and the United States.
San Francisco-based artist Zai Divecha fashions countless pleats, creases, and flaps for her monochromatic paper sculptures. From geometric tessellations to flat sheets with dozens of rounded cuts and points, Divecha’s pieces accentuate the relationships between light and shadow and natural and manufactured elements.
HOMECOMING-The Collection’s forms, textures, lines and palette are inspired by vernacular African architecture from Nigeria and Cameroon to Niger and Mali. The collection began with the Akaya lounge chair and evolved to include sculptural lighting , organic shaped home decor , furniture and more.
Oh’s sculptural pieces revolve around the use of textiles to create knitted or woven shades for lamps and other objects. Oh utilizes scraps of the material discarded by the manufacturer, turning to 3D knitting technology to reimagine colorful, textural pieces of fabric.
3form’s 2023 Color Collection Nails Down Hard-to-Find Hues Inspired by the four seasons and the emotions they evoke, leading materials manufacturer 3form added 10 new pastel hues to its permanent color system. After laying out swatches of current colors in order to identify missing ones.
The longer the wearing time, the richer the texture will be.” ” He uses knitting techniques to create an illusion of worn denim, avoiding the artificial washing and destroying processes used by manufacturers, making this “ruined romance more sustainable.”
It has taught me a lot about how something simple can be so powerful: Anish Kapoor 's work, for example, is something you must experience – the textures, the colours. I used the design from the Glasgow School of Art doors on the capsule as its sculptural form contrasted with the geometry of the bottle.
Oh transformed the waste material into a collection that includes a lounge chair, dining chair, table, and bench – available in two contrasting textures: a used version and a new one. Chapo’s work has a sculptural, almost brutalism feeling to it, which worked with the luxurious and colorful woven fabrics.
That said, some good features to look for would be a component library and a versatile range of objects and textur es for creating impressive 3D models. You can also create textures from real-life images and texture these on objects in real-time in the application. variant that has all 4 applications.
Its functional and sculptural approach throws out the rulebook on traditional fashion practices; highlighting the value of waste resources and how we can use what we have. My research into the Anthropocene weaved with the Cradle to Cradle manufacturing model and the Chang-Pa Tribe’s lifestyle of ‘leave no trace.’
For this year’s edition of Milan Design Week, Italian furniture manufacturer Gufram and New York-based design practice Snarkitecture have unveiled their latest collaboration: the Sculpted Series , a collection of five domestic sculptures that blur the line between art and furniture.
In the weeks before Milan Design Week 2024 and its major event – Salone del Mobile – manufacturers are beginning to show their cards. The result: a “unique design language” made more textural by two different yarns (wool and silk) and pile heights.
One of the most recent pieces that you could confuse for sculpture is the UMI Armchair. Designed by Rostislav Sorokovoy , that’s exactly what he wanted to create – an object that resembles a soft sculpture rather than a piece of furniture. Position a pair of armchairs next to each other for an even bigger sculptural statement.
A global leader in the design and manufacture of kitchen and bathroom products, Kohler has never shied away from being bold. A carefully honed balance between facets, angles, and edges invites a delicate play of light, which introduces a unique sense of depth and texture to every fixture.
Its sculptural FSC-certified ash frame — made from one continuous piece that serves as both arm- and backrest — wraps around the generous bio-based foam seat, and doubles as a modified workstation wide enough to accommodate a laptop. “The It is a point of view that takes manufacturing practices into account,” said Hannah.
But look closer, and you’ll start to appreciate the sculptural intricacies of the design. Photo by Jennifer Hyc Along with taking cues from the decade’s defining architecture movement, the storefront also embraces a textural treatment that evokes corduroy (an especially popular fabric during the brutalist ’70s).
This strategy is especially effective when adopted by manufacturers in sectors like kitchen and bath that otherwise tend to steer clear of vivid hues. A few booths over, UK concrete basin manufacturer Kast unveiled a playful tapware collection, Alto , available in no less than 28 concrete colourways. Alto tapware by Kast. Eric Mutrie.
Time warping back to the 1970s, designers are embracing laid-back proportions, rich textures and groovy colours to develop furniture that brings a welcome hit of coziness to modern design. First presented in 1970, Ettore Sottsass’s sculptural Ultrafragola mirror has become a bona fide social media sensation five decades later.
The Parisian artist carves intricate forests and stately architecture subsumed by vines and craggy cliffs all from humble cardboard, accentuating the corrugated textures to add depth and intrigue. The artist’s works instead depict a convergence between the manufactured and the organic.
“Pop gothic” colour gradients and dusty textures have been employed to tell the story of particles. This inspired a “garden of sculptures”, which itself centred around a baby wolf carved out of basalt by sculptor Matthías Rúnar Sigurðsson. Non-event posters, by Lydia Leith.
Using texture, fiber combinations, new layering techniques and seamless gradient transitions, Forma is a collection full of playful optimism. Forma is the first time TSAR has used refined fading techniques to achieve new gradients, as well as the first time they’ve used ribbon yarn as a material to create sculptural rug dimensions.
A group of installations dubbed “Constellations” presented light sculptures (including Nanda Vigo’s “Light Tree,” shown here) inside of structures designed by Formafantasma. The manufacturer showcased its newest luminaires in a series of boxes that were stacked together like units in an apartment tower.
This beam radiates out of the sculptural design, amplifying a barely-there presence into a dramatic focal point. ” The manufacturer offers the lamp in two options: clear glass, or a sepia-hued variant. Outdoor Collection curated by Vincent Van Duysen for Molteni&C Soft, modern forms meet organic, woven textures.
The Brussels-based duo work together to bring creative, sculptural furniture pieces and interiors that overflow with color, material, form, and texture to life. Architect Kenny Decommer and scenographic designer Hugues Delaunay have otherwise been known as Cobra Studios since 2020.
The international furniture and design fair IMM Cologne – held annually in the eponymous German city – is set to run from January 13 to 19 and showcase a host of cutting-edge concepts, from the next generation of design thinkers to the latest offerings from trusted manufacturers. 520 Chair by Marco Dessí.
The Stone Archive installation, created by Mexican lighting brand davidpompa , will explore the volcanic origins of a new light sculpture series – Ambra Toba – at Alcova during Milan Design Week. Debris, ashes, and dust – Toba volcánica is millions of years speaking to us today through texture.
And where collective Fractum Object riffs on the ancient tradition of pottery — imbuing the hand-formed ceramic vessels with viscerally-intricate textures, Johan Pertl implements moulded glass as an almost stone-like, heirloom material. Utopia by Johan Pertl. Lasvit’s “Glass House” in Nový Bor.
From her Baltimore studio, Israeli artist Zemer Peled ( previously ) sculpts countless spikes and oblongs into densely textured artworks. Other sculptures depict oversized blooms with the firm, pointed edges of each shard directly contrasting the soft and fleshy petals found in nature. “After the Bloom”
The fruitful exchange of ideas, methodologies, and expertise that play out at this collaborative haven were demonstrated here in pieces like Juli Bolaños-Durman ’s collection of Spirited Waste sculptures (created from discarded materials sourced onsite) and Michael Schoner ’s Wobbly cutlery.
It harnesses the skills that Partisans has pioneered in previous projects, where the firm has turned walls into pixelated clay caverns and bulky ceilings into showstopping sculptures, to extraordinary effect. It’s a multi-tiered feast — and a space to savour. Normann Copenhagen Headquarters, Copenhagen, by Normann Copenhagen.
Its sinuous, mixed-texture frame is inspired by the serpents that crown Medusa’s head, “almost oversized, strong, imposing, rich, iconic;” it lends the mirror the ironic duality of both reflecting the beauty of the end-user — and reminding them of its petrifying force. Picnic by Form Us With Love for +Halle.
On their own, the pieces have a sculptural presence; in a grouping, they nest closely together in a way that is meant to encourage interaction between people. A practical embellishment in the form of a flat shelf-like surfaces runs along the backs of the sofas and armchairs, creating a functional surface.
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