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For the 2025 edition, PRINT Magazine enlisted The Collected Works to craft a dynamic visual identity and hero film that embodies the theme of "cultivating creativity." A key visual reference was sculpture, particularly work that merges organic rock textures with geometric forms. "We
At the same time, she was constantly being exposed to comics, magazines and picture books with a look to becoming a painter or a fashion designer when she grew up. "To It wasn't until an instructor showed Megan magazines and independent comics from America and Europe that she decided o get back into drawing.
Working across installation, sculpture, video, and digital drawing, London and Hangzhou-based Weishan Yang is a polymath of sorts. And since then, I've worked with a few communities, independent artists and magazines such as Please Don't Touch magazine.". They have this raw texture and abstract quality that I find fascinating.".
And she explores these meanings in her lurid yet softly textured editorial work for magazines and websites. "I I enjoy pulling the rich tones and textures out of the food I’m drawing," she tells Creative Boom. "I Sometimes the colours and textures take the lead on a food illustration project," she adds.
Similar to how stories can play off of one another, the collection’s lamp designs differ while also forming a cohesive group that feels related, all thanks to tones and textures. Soon enough, she was selling to high profile clients and being featured in magazines, like Vogue , Milieu , and Domino.
Unlike minimalism, which strives for visual restraint, maximalism encourages designers to layer textures, combine multiple styles, and create a sense of abundance. A minimalist logo with a splash of maximalist color or texture gives brands a modern yet bold identity.
With its ultra-modern hexagonal shape, Tat Design’s Fruit Basket turns your produce into a sculptural work of art. Dutch designer Frederik Roijé’s cleverly designed Paper Pet is the magazine storage solution you didn’t know you needed. Find more in the Design Milk Shop ! Trièdre Fruit Basket by Tat Design. Shop Now >> 2.
Home interiors that incorporate a mix of wood tones, rich textures and natural finishes in furniture, decor and decorative accessories layer visual interest to any environment. Aspen Magazine Rack by Ciseal. A hand-crafted magazine rack in walnut inspired by the aspen leaf that will hold a stack of your favorite magazines in one place.
Others include The New York Times, Architect Magazine , DesignMIAMI/ Art Basel, Metropolis Magazine , Domus, Wallpaper* Magazine , and The National Museum of African American History where he was identified as a future designer on the rise. Today, Germane is joining us for Friday Five! Germane Barnes. Photo: Roscoe B.
The custom typeface is a nod to piping icing textures, appropriate for a food colouring brand with lots of flavours. This typeface plays surprisingly well with the other brand elements that share this puffy icing texture – leaving a lasting, memorable mark. It makes for a tasty brand that looks like no other."
Sureen Gouws in Grounded uses shapes, texture and sandy natural tones to make a sculptural statement on your walls. Use it to hold towels, coats or your favorite magazines – or let it have the starring role as lead paperclip on your wall. Sureen Gouws in Grounded by TOO Designs. Find it in a variety of bright and bold colors.
It’s a fantastic sculptural object featuring a different surprise on every page. Perhaps this book, to me, is one possible iteration of good design: mixing color and science, playing with form and texture, removing all excess, crafting beautifully to end up with something that surprises and delights.
As a go-to stylist for many leading brands and publications, Colin is a regular contributor to Architectural Digest , T, Ark , and Rum magazines. Florals and nature add texture, color, softness, life, and inspiration to every space. Photo: Colin King 2. Print I am a lover of all things print.
Since each fixture is handmade, they are all one-of-a-kind pieces with subtle variations in shape, texture and finish. The post Rosie Li and MONDAYS Collaborate on a Sculptural New Lighting Series appeared first on Azure Magazine.
David’s work has been featured in Axis , Domus , Artforum , and Marie Claire magazines, as well as in the International Furniture Design for the 90s and California Interiors books. It can be a new restaurant, a shop, gallery, graffiti on the street, or just textures and surfaces I discover along the way. I look to discover.
Throughout, warm tones, soft lighting, and rustic textures — from raw wood furnishings and finishes to the building’s original masonry and stonework — draw the eye. A sculptural, towering tree — stripped of much of its bark — rises from a corner of the bar, emerging through the counter and reaching up beyond the light fixtures.
3 Brut Sculptures by Origin Made Like a set of sophisticated building blocks, the Brut sculptures by British-Canadian designer Philippe Maloui n for Origin Mad e are composed of hefty wedges that can be assembled and reassembled at will. Available in Red, Purple, Charcoal, Ice Blue, Caramel, Dark Blue, Dark Green and Mauve.
Each made-to-order Ben table lamp from Matthew McCormick Studi o features two perfectly balanced hand-carved solid stones topped with a hand-blown glass globe, and makes a playful yet sophisticated, sculptural addition to any room. The drum shade is at once classic and compelling with its natural irregularities and uneven texture.
Now, the studio offers textural and emotive hand-thrown objects, inspired by nature and embodying both tangible and visceral memories. London Plane candles are hand-poured and the perfectly imperfect vessels can be refilled or used as containers or small sculptures when empty.
The now 565-square-metre space deftly marries texture, striking forms and public space to create a cultural hub for the school. The extension juts from the dormitory building like a sculptural appendage. The post In China, an Expanded Art Gallery Enlivens a University Campus appeared first on Azure Magazine.
To modernize the look while staying true to the building’s inherent character, the concrete was sandblasted to add a textural element to the interior. The post Studio Okami Brings Balance to a Brutalist Classic appeared first on Azure Magazine. PHOTO: Olmo Peeters. PHOTO: Olmo Peeters. PHOTO: Olmo Peeters.
Bauhaus graphic designers embraced mixed-media collages, vibrant colours, and inventive typography to create posters, advertisements, magazines, and more that broke past conventions. His concept was to remove the artificial separation between fine arts like painting and sculpture and applied crafts like typography, ceramics, and textiles.
That’s right – those garish, eye-catching shades that were once reserved for birthday parties and bowling alleys are now being used in everything from corporate designs to magazine covers. Grain and Noise Textures. Grain and noise textures by Pixelbuddha. So what sparked this neon revival? 3D Elements.
A carefully honed balance between facets, angles, and edges invites a delicate play of light, which introduces a unique sense of depth and texture to every fixture. Characterized by a soft teardrop base, the sculptural faucets feature a clean, transitional form, making for a versatile presence that suits a wide range of residential spaces.
Princeton University Press Designer: Amanda Weiss Art Director: Maria Lindenfeldar Personally, when designing covers, I always get uneasy when a client wants to use sculpture on a cover. The colors and embossed texture really showcase the joyful and hopeful messages on the inside. However, this is totally an exception.
I wanted to create texture on the building. It’s the ultimate sculpture carved out of steel and glass. The post Waiting for Gehry appeared first on Azure Magazine. “They kept coming at me,” he says. It’s not bland and it has humanity,” says Gehry. The City was very supportive of the façade,” says design partner David Nam. “It
The result: a “unique design language” made more textural by two different yarns (wool and silk) and pile heights. Its sculptural silver travertine base dials up the drama while its water-repellent polypropylene upholstery comes in warm tones that strike a cozy balance.
Sure enough, the red-hot colour scheme continues in an adjacent seating area across from the bar, which is itself backed by a textural, terracotta-hued wall treatment. Adding another layer of intrigue, vases, jars and other sculptural decor from Obakki hold court at the centre of the room’s snaking arrangement of green banquettes.
But from this dewy landscape, a sort of sculpture garden quietly emerges. The sense of depth and texture created by the curves and projections is amplified by the patterned arches embossed into the concrete and the warm lighting that dances across the facades at night. The project also incorporates an onsite solar energy system.
While it originally debuted in 2018, the “O” series of sculptural outdoor lighting is jumping the pond and will be available in North America early summer. Multiple sizes are available for each geometry and each comes in either Textured Black or Textured White finishes. O” Series by Artemide. Garota Catenary by Bover.
In the lobby, visitors are greeted by Big Blue, a life-sized fluffy “monster” sculpture who doubles as the office mascot. Soft, tactile textures adorn each corner of the office — from a custom-made felt map of the UAE in one room, to mounted oryx and gazelle heads made of plush in another.
At the back of the store, tucked behind a monolithic table and centred between displays of homewares, Ringo Studio inserted a trademark made-for-Instagram moment: an immersive content room complete with rose-patterned curtains and larger-than-life floral sculptures.
With a striking, seemingly folding canopy that soars to almost 40 metres (intended to house large-scale commissioned sculptures and installations by contemporary artists), the Foster + Partners building will also frame equally dramatic views toward the Grand River beyond.
Two final products, Binary Code and Karmic Relief, mark a happy medium between the collection’s two types of patterns, mixing hints of geometry with more biophilic textures. Lead image features the sculpture Upward by Richard Hunt. With Rising Signs, all signs point to progress.
But look closer, and you’ll start to appreciate the sculptural intricacies of the design. Photo by Jennifer Hyc Along with taking cues from the decade’s defining architecture movement, the storefront also embraces a textural treatment that evokes corduroy (an especially popular fabric during the brutalist ’70s).
Apart from being a simultaneous nod to pebbled trails and gritty streets, this subtle textural detail also speaks to the boutique’s rich assortment of fabrics, which often need to be felt to be truly appreciated. Behind one of these racks, a backlit sculptural wave of curled cherry wood creates a playful backdrop.
Defined by a linear purity, the taps and mixers feature a shared circular handle with vertical grooves for textural impact. 2 Finot by Waterworks Influenced by modern sculptures, expertly tailored fashion and industrial design, New York studio Gachot appointed Finot for Waterworks with clean lines and refined details.
The Modern Age Studio is a sculptural environment designed to relax your mind and delight your senses, with painterly textures, soft gradients of light, and natural materials, each detail has been intentionally curated as part of a holistic customer experience,” Ringo explains.
In perhaps the most compelling maneuver, the architect selected hand-applied textured lime plaster (by Venosa Interiors) to cover two-thirds of the walls. “I I like to work with different textures and to avoid drywall whenever possible,” says Dworkind of the decision.
Time warping back to the 1970s, designers are embracing laid-back proportions, rich textures and groovy colours to develop furniture that brings a welcome hit of coziness to modern design. First presented in 1970, Ettore Sottsass’s sculptural Ultrafragola mirror has become a bona fide social media sensation five decades later.
“Pop gothic” colour gradients and dusty textures have been employed to tell the story of particles. This inspired a “garden of sculptures”, which itself centred around a baby wolf carved out of basalt by sculptor Matthías Rúnar Sigurðsson. Non-event posters, by Lydia Leith.
Yayoi Kusama created a sculpture for the North Building’s terrace. Inside, the galleries are restrained – more notable, as is apt, for their capaciousness than for any design embellishment – yet in a few key areas, SANAA has added unusual texture. The Inaugural Exhibition. Inside the new Yiribana exhibition space.
Overall, a trend toward intimate spaces with soothing textures — in sumptuous materials like clay, plaster and travertine — and organic, almost-primordial forms is taking shape as a way to engage the senses and provide a counterpoint to the flatness of online shopping. ” And, by the looks of it (see below) they’ve succeeded.
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