Creative Boom

JUNE 15, 2022

Left to right: Billy Paterson (Communication Design Y3), Jihye Baek (MFA 2022), Fleur Connor (Painting and Printmaking 2022), Sophie Ammann, Leonie Hiller (Communication Design 2022). Insect Pasta by Chloe Kang, MA Industrial Design (Central Saint Martins). School of Design Degree Show , University of Leeds.

Fine Art 526

Fine Art Arts and Crafts Exhibition Fashion 526

Shillington

AUGUST 20, 2023

Its associated blog features a range of critical, informed writing about design and visual culture. I Love Typography I Love Typography covers everything from typography and type history to making fonts, and everything in between, including printmaking to book history and occasionally calligraphy.

Graphic Design 119

Graphic Design Graphic Arts and Crafts Magazine 119

Shillington

APRIL 27, 2023

Any But None by Dossier Industries Melbourne-based experimental publishing house Dossier Industries designed Any But None, which they describe as “an exquisite corpse of text and imagery”. They also a created a colour palette, wordmark and logo to help make this a truly global brand. Read more about Wise 9.

Graphic Design 98

Graphic Design Graphic Arts and Crafts Brand 98

Design Wizard

JUNE 20, 2019

The power of color in design cannot be understated, and Pierre Bonnard emphasises that in this quote. Bonnard was an extremely talented painter, illustrator and printmaker who backed up his claims in his work. Color is not just there to make a design look good, but to reinforce its message. .” - Pierre Bonnard.

Graphic Design 99

Graphic Design Graphic Arts and Crafts Art 99

Shillington

SEPTEMBER 14, 2020

The late 1800s and early 1900s saw type foundries burst into life around Europe and America, bringing forth bold compositions and arresting typefaces that still influence modern design today. Numerous strategies are introduced accompanied by practical projects each showing how to unlock creative ideas in different ways. Buy the book.

Graphic Design 119

Graphic Design Graphic Arts and Crafts Print 119

Shillington

SEPTEMBER 22, 2022

He picks apart how design can convince us of a certain way of thinking, in both an overt and covert manner. Through examples, not just from graphic design but also product design, industrial design and architecture, Adams illustrates how design can inspire, provoke, amuse, anger or reassure us and the reasons why it does this.

Graphic Design 140

Graphic Design Graphic Arts and Crafts Publishing 140