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With a population of 35 million, and more than 75% aged under thirty-five, the Kingdom is embarking on transformational development to embolden, employ and entertain its populous and attract growing national, regional and international tourism. Render of Ashab Al-Lal by Ahmed Mater at Wadi AlFann. Visualization by Atelier Monolit.
The Dark Sky Project, by ThoughtFull, for Ngai Tahu Tourism. 25 Sculptures in Five Dimensions, by Studio Sutherl& and Tom Sharp, for Tom Sharp. The Dark Sky Project, by ThoughtFull, for Ngai Tahu Tourism. Empire State Building Observatory Galleries, by Squint/Opera, for Empire State Reality Trust. Writing for Design.
Commissioned by the local tourism agency, the posters are the work of Riccardo De Franceschi, the Milan-born creative director of London typeface design studio Dalton Maag. Click through our gallery below to see a few of the Milan Design Week 2022 standouts that we encountered in between rounds of negroni sbagliatos at Bar Basso.
The Australia-born, California-based sisters began the Crochet Coral Reef project in 2005 to confront the devastations of bleaching, over – fishing, tourism, and agricultura l contaminations through sprawling, labor-intensive environments. Photo courtesy of LUAG by Stephanie Veto.
Adjaye Associates was commissioned by the Hospital Infrastructure Group on behalf of the Ghanaian government to create a scheme that will, in Ghanaian President Nana Addo Dankwa Akufo-Addo’s words, “lead to Ghana becoming a Centre of Medical Excellence and a destination for medical tourism.” That global-minded ambition is formidable.
These CNC-altered works often cut into the objects they contain: wood African sculptures with uncertain authenticity, exotic animal skulls, and the headlight of a Tesla. The “African” sculptures offer the most complex questions. In the middle of the gallery, the nearly black “Wraith” (above) holds the headlight of a Tesla.
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