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With a population of 35 million, and more than 75% aged under thirty-five, the Kingdom is embarking on transformational development to embolden, employ and entertain its populous and attract growing national, regional and international tourism. It's an exciting time to visit AlUla and witness the developments of the Kingdom in real time.
Detroit-born artist Matthew Angelo Harrison’s first solo exhibition at Salon 94 in New York feels ancient and futuristic, seductive and uncomfortable, completely human and totally alien. The “African” sculptures offer the most complex questions. Installation view, Matthew Angelo Harrison, Ambidex, 2021 Photo: Farzad Owrang.
He started off with plans to carve wooden sculptures, but in the process of renovating, he unintentionally picked up woodcraft – an easier path to creating furniture. Water in the Southern Hemisphere by Ron Arad I saw this when it was first exhibited in Milan in 2007 in exactly this setting. Photo: Ron Arad 1.
The organization behind the exhibition, The Desert Biennial , is a California-based arts non-profit dedicated to staging site-specific interventions that build upon the land art movement of the ’60s and ’70s. This year’s open-air exhibition adopts the theme of sarab , or mirage. Courtesy of the artist and Desert X AlUla.
Commissioned by the local tourism agency, the posters are the work of Riccardo De Franceschi, the Milan-born creative director of London typeface design studio Dalton Maag. Heading into the 60th anniversary edition of Salone del Mobile at the Fiera Milano exhibition centre. Design is Milano is design.
The Dark Sky Project, by ThoughtFull, for Ngai Tahu Tourism. 25 Sculptures in Five Dimensions, by Studio Sutherl& and Tom Sharp, for Tom Sharp. The Dark Sky Project, by ThoughtFull, for Ngai Tahu Tourism. Exhibition Design. Identity Design – launch. Self-promotional Projects. The AI Social Experiment, by Huge.
These experiences spurred a now two-decade endeavor known as the Drifters Project , a practice of creating installations and sculptures that help visualize the catastrophic amount of plastic ruining the world’s ecosystems. “It’s (an) all-places problem.”
For example, McKay’s knowledge was crucial in winning the tourism board of Niue, a small island in the South Pacific, as a client six years ago. With this new umbrella identity, Matiu successfuly applied for New Zealand Sculpture Onshore, a leading sculptureexhibition in the country. Challenging norms.
The “wearable sculptures” are elaborate and celebratory, and Melancon’s works are known for their immense nature and for exhibiting his deft technical skill.
Adjaye Associates was commissioned by the Hospital Infrastructure Group on behalf of the Ghanaian government to create a scheme that will, in Ghanaian President Nana Addo Dankwa Akufo-Addo’s words, “lead to Ghana becoming a Centre of Medical Excellence and a destination for medical tourism.” That global-minded ambition is formidable.
The Australia-born, California-based sisters began the Crochet Coral Reef project in 2005 to confront the devastations of bleaching, over – fishing, tourism, and agricultura l contaminations through sprawling, labor-intensive environments. and will be on view at the Museum Frieder Burda until June 26.
Prefectures, cities, towns, and train stations adopt cute mascot characters or “yuru kyara” to promote tourism and local goods. Local Mascot Characters There are over 1,400 “gotōchi kyara” mascots for geographic places across Japan.
One of the most diverse regions in the world with over 400 villages and different political divisions, Oaxaca represents two realities: the influx of new money and tourism and the Indigenous communities that produce most of the food and goods distributed through the supply chain.
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