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It’s not exactly common to encounter a hospitality brand as the driving force behind an exhibition celebrating circular design. ” A scaled down version of Andra Matin’s open-air colosseum at Potato Head Beach Club also shows up in the exhibition. But Potato Head is not your usual hospitality company.
Born on June 26, 1929, in the vibrant heart of New York City, Glaser exhibited an innate talent for art from a young age. As art director of iconic magazines such as Esquire and Bazaar, Wolf was a typography and advertising design titan. Glaser designed the iconic “I ❤ NY” logo that boosted tourism and optimism.
The organization behind the exhibition, The Desert Biennial , is a California-based arts non-profit dedicated to staging site-specific interventions that build upon the land art movement of the ’60s and ’70s. This year’s open-air exhibition adopts the theme of sarab , or mirage. Courtesy of the artist and Desert X AlUla.
Commissioned by the local tourism agency, the posters are the work of Riccardo De Franceschi, the Milan-born creative director of London typeface design studio Dalton Maag. Heading into the 60th anniversary edition of Salone del Mobile at the Fiera Milano exhibition centre. Design is Milano is design.
While consistently engaging public and private venues during the month of May, this year sees the showcase actively explore additional outdoor and virtual environments as well as workshops for a longer time frame in response to the pandemic (all while waiting patiently for Provincial guidelines to dictate the access to indoor gallery exhibitions).
Samsung EU Forum Magazine, by Prophet. October/November 2019, February/March 2020, and April/May 2020, by 1843 Magazine, for The Economist. The Dark Sky Project, by ThoughtFull, for Ngai Tahu Tourism. The Dark Sky Project, by ThoughtFull, for Ngai Tahu Tourism. Exhibition Design. Champions Journal, by TwelfthMan.
A diminutive of Arts Décoratifs, the name was taken from the 1925 Parisian exhibition titled ‘Exposition Internationale des Arts Decoratifs et Industriels Modernes’ which was the first to feature works of this style. Try it and see what you find. Characteristics. Bold geometric shapes. Use of vertical and motion lines.
A diminutive of Arts Décoratifs, the name was taken from the 1925 Parisian exhibition titled ‘Exposition Internationale des Arts Decoratifs et Industriels Modernes’ which was the first to feature works of this style. Try it and see what you find.
Choose the Accordion Fold if are designing something with a lot of information, like tourism guides, maps, step-by-step tutorials, or menus, or if you have a list of products or services to display. They are often distributed on streets, events, or exhibitions, and political campaigns. Double Parallel Fold. Cost-effective to produce.
Adjaye Associates was commissioned by the Hospital Infrastructure Group on behalf of the Ghanaian government to create a scheme that will, in Ghanaian President Nana Addo Dankwa Akufo-Addo’s words, “lead to Ghana becoming a Centre of Medical Excellence and a destination for medical tourism.” That global-minded ambition is formidable.
The Ocean Photography Awards, hosted by Oceanographic Magazine, recently announced their winners. An exhibition at the Australian National Maritime Museum, showcasing all winning photographs, will run until May 2024. These photographers not only showcase marine life but also highlight environmental issues.
The focus on farming also responds to a growing demand among middle-class Chinese to return to more rural settings, as well as to a recent boom in agri-tourism. Inside, the Lab exhibits the latest technologies for the harvest, from agricultural robotics to indoor vertical farming.
As MVRDV explains in its press release, the Tainan market is “an important hub for Tainan’s food supply chain, but also as a destination for meeting, socializing, and taking in views of the surrounding landscape from the building’s accessible roof, thus promoting tourism in the region.”
As much a rallying cry as a thesis, this dual theme informs both the central exhibition as well as the national pavilions on the biennale grounds as well as the collateral events and the multiple talks series and installations taking place over the course of the biennale’s six-month run throughout the city.
The Pods initially contained restaurants and exhibitions showcasing the history of Ontario, but struggled to find a use over the years – and were rented out as event spaces before finally being shuttered in 2016. The post The Future of Ontario Place: Towards an Inclusive Preservation Dialogue appeared first on Azure Magazine.
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