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In Miriam Persand’s bizarre world, alligators, rats and pigeons rule the city

Creative Boom

Miriam has recently participated in the collective exhibition Graphic Constellation: Young Women Authors of Avant-Garde Comics, which is based in Belgrade, Serbia. "I It's a combination of the little, everyday moments and big questions around our existence that seems to shape her unique vision.

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Hingston Studio's designs for Garry Fabian Miller, the 'camera-less' fine art photographer

Creative Boom

The book echoes the typographic approach of the other exhibition graphics. According to Hingston, the typeface's strong echoes of "Johnston, Gill and geometric properties" really resonated with the artist's work. The pair also worked closely together on the book's design accompanying the show, also called Adore.

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It's all in the eyes for A Practice for Everyday Life's identity for the 59th Venice Biennale

Creative Boom

With the 59th Venice Biennale well underway, our attention turns to the Italian exhibition's graphic identity for 2022. Photo: © Thomas Adank. Courtesy La Biennale di Venezia and A Practice for Everyday Life.

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Nissen Richards Studio Designs Exhibition & Graphics for 'The Human Touch'

Dexigner

The Human Touch: Making Art, Leaving Traces' is a new, temporary exhibition at The Fitzwilliam Museum, Cambridge, with all exhibition and graphic design created by Nissen Richards Studio, working closely with the museum's curators.

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First Look: The Formula 1 Exhibition

Design Week

Hingston Studio has created the visual identity for the first official Formula 1 Exhibition, opening in March 2023 in Madrid at the start of a ten-year global tour. The studio was responsible for the visual identity system, typeface design, website, wayfinding and exhibition graphics for the show as well as an animated CG launch campaign.

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“Ray’s Hand” Illuminates Half of the Iconic Eames Partnership

Design Milk

Her focus was always about identifying, extrapolating, and creating for the need of each situation, in both her personal life and professional life – from a bouquet for a photograph to an exhibit graphic to a toy to a picnic to a furniture prototype.”

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MOS Offers a New Image of Architectural Work

Azure Magazine

Once you start a conversation with (662) MOS ARCH, you enter a choose-your-own-adventure format of the exhibition. Graphics by Studio Lin and photography by Michael Vahrenwald come together with MOS’s curatorial statement and the show’s object list to create an immersive experience via text message.