Emmeline Illustration
NOVEMBER 20, 2012
Recently I've been working on a brand new illustration for the Enchanted Forest exhibition (for the 200 years of Grimm's fairytales celebration). I've been taking a couple of snapshots as I've gone along to show my progress. I don't often do this, but I think it's nice for people to get a glimpse into how I work! As usual I started building the illustration using pencil sketches with ink brush lines on top.
Fonts by Hoefler&Co.
NOVEMBER 4, 2012
Somehow we’ve let the election season come to a close without thanking both parties for making this an 100% H&Co election. Continuing the signature voice of its 2008 campaign, Obama for America kept Gotham as its typographic keystone, this year adding our Sentinel typeface as a companion slab serif. The GOP chose fonts from us as well, the Romney campaign settling on Mercury for its serif and Whitney for its sans.
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Illustration Art
SEPTEMBER 28, 2012
These unpublished student sketches by Robert Fawcett show that, even as a teenager, he was a precocious talent: Ten minute sketch Ten minute sketch All his life, Fawcett continued to sketch from the model. Based on what he had learned at the Slade School, Fawcett believed his weekly drawing sessions would keep his eyes fresh. Fawcett's mature sketches show how his powers grew over the years: Detail Detail Fawcett believed that his weekly life drawing sessions paid off when it came time to make p
Chris Dunn Illustration/Fine Art
APRIL 14, 2012
I'm sorry if you're getting a bit fed up of seeing this painting. Hopefully this will be the last post about 'Cracked Matador' for a while. I'm very pleased to tell you that my painting won the Young Artist Prize at this years Bath Artists Society Open Exhibition. I actually shared the prize with a young sculptor named Max Brigden. The stand out artist for me this year not surprisingly the winner of the watercolour prize.
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Inspiration Feed
FEBRUARY 20, 2012
The customers using the Google apps, till now had an easy and free access to a plethora of services, however they could not enjoy the benefits of the web based billing apps.
Emmeline Illustration
AUGUST 10, 2012
Hey everyone! Boy oh boy do I have some adventures to tell you about! As you may or may not have heard, last week I spent some time in the beautiful city of Amsterdam in The Netherlands. I think it's completely fair to say I was in desperate need of a break. There'd been a few months there without a single day off working on those books, and yes, it does slowly drain your soul after a while (not that I don't love working intensely on lots of children's book commissions!).
Graphic Arts Today brings together the best content for graphic arts professionals from the widest variety of industry thought leaders.
Fonts by Hoefler&Co.
DECEMBER 13, 2012
One of the joys of designing typefaces is seeing the flavors that designers coax out of your work. A fair amount of exploration always goes into our own process: Gotham wouldn’t be Gotham were it not able to look simultaneously young and old , and one of Idlewild’s virtues is the range of wildly different qualities that emerge in company of friends.
Emmeline Illustration
DECEMBER 12, 2012
So it's that time of year again. I've been feeling pretty casual about it all so far, no present panics for me - but if you're hunting for something special for someone, or you fancy an early treat yourself - then you're in luck. I'm giving away one very lovely signed canvas print of my 'Snow' illustration (along with a few postcards) and a runner's up prize of a pretty sticker set (and again, yes, some postcards!).
Fonts by Hoefler&Co.
DECEMBER 6, 2012
We keep a running tally of the interesting media in which we’ve seen our fonts used, from corrugated cardboard to topiary. The designers who choose our fonts often share their more startling experiments on our Facebook page, including more than a few typographic tattoos. But with the holiday season upon us, things have taken a decidedly gustatory turn.
Fonts by Hoefler&Co.
DECEMBER 6, 2012
We keep a running tally of the interesting media in which we’ve seen our fonts used, from corrugated cardboard to topiary. The designers who choose our fonts often share their more startling experiments on our Facebook page, including more than a few typographic tattoos. But with the holiday season upon us, things have taken a decidedly gustatory turn.
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Emmeline Illustration
SEPTEMBER 4, 2012
What's this heap of pretty you say? Well! It's a 'Fallen flowers' surface pattern that I finished yesterday, and has now hit the digital shelves of Ohh Deer as a gorgeous cushion (and soon hopefully notebooks/other nice things). Hurray! I've had a bit of radio silence in terms of producing work for Ohh Deer (I'm one of the first bunch of illustrators to get involved) - I've just been drowning in a swampy mush of book work.
Fonts by Hoefler&Co.
NOVEMBER 18, 2012
One of the things we’re grateful for at H&Co are the designers who treat our typefaces with such extraordinary care. These days, some of the most exciting work that we get to see is on Dribbble, where designers of the highest caliber share their works-in-progress with the world. This weekend, I gathered some of my favorite fragments that designers have created using our typefaces: here are three new Dribbble collections using The Proteus Project , Sentinel and Shades.
Fonts by Hoefler&Co.
NOVEMBER 13, 2012
A good type family balances cohesion and diversity. Its styles need to feel related, but each is entitled to its own personality. Nothing’s worse than paying for a collection of two dozen fonts, only to discover that each speaks in exactly the same voice. Tungsten began as a focussed set of styles that aspired to being disarming instead of pushy. “Smart, tough, and sexy” was how we described the design, a brief that gave us enough latitude to create four distinct designs: a spo
Fonts by Hoefler&Co.
JUNE 5, 2012
Type designers are plagued by visions, recurring images which can only be exorcized by turning them into letters. For years we’ve been consumed by a particular quality of curve, overstuffed at the corners and punctuated by sharp edges, and gradually over time we’ve been able to give these apparitions form: first as unrelated characters, later as an alphabet, and finally as a family of fonts.
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Illustration Art
MAY 17, 2012
Cynodont 250 million years ago, before death negotiated its current truce with life, death nearly wiped out all life on earth in a fit of exuberance. During the Permian Extinction , 96% of all marine species and 70% of all land based vertebrates became extinct. 83% of all genera of insects were wiped out. The planet became a global abattoir, reeking with the stench of spattered life forms whose long and miraculous histories had come abruptly to naught.
Illustration Art
JULY 19, 2012
Once again, this year's ComicCon brought together the world's most diverse array of pictures of large breasted barbarian women wearing skimpy chain mail halter tops and brandishing broad swords. A sampling of the large banners behind the tables in ComicCon's exhibition hall Because artists at ComicCon come from all over the world, attendees can view a cross section of approaches and philosophies: sometimes the warrior holds the sword in her left hand, sometimes she holds it in her right hand.
Illustration Art
DECEMBER 7, 2012
"The shudder of awe," wrote Goethe, "is humanity's highest faculty." This shudder explains why many people are attracted to the arts. But other people, who aren't so comfortable shuddering, have found more orderly ways to approach art. For example, art historians try to understand art by researching the lives of artists. (The new biography of Saul Steinberg , a splendid piece of scholarship, devotes 732 pages to how Steinberg's childhood, his sex life, and his paternal grandfather might have sha
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