Fonts by Hoefler&Co.
DECEMBER 18, 2008
If you’re an editorial designer, chances are that you’re familiar with the Society for News Design through its workshops, its excellent international conferences, and of course its annual. What you might not know is that SND operates the non-profit SND Foundation, which provides college scholarships, research grants, and travel stipends to help students attend its events.
Illustration Art
DECEMBER 7, 2008
God, I love comics. This cover from a 1940 comic book is not so much a drawing as a riot of the themes inside the heart of an adolescent boy. Anyone who ever learned to draw will recognize their first few faltering steps here: how to hide the feet you don't quite know how to draw; the temptation to squeeze in every cool trick you've learned-- a skull, a punch, a broken wall, an axe-- whether it fits in the drawing or not; and of course, a girl in a slinky dress, perfected during those agonizing
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Fonts by Hoefler&Co.
DECEMBER 14, 2008
Hot on the heels of my open question about artists and fives , I came across this marvelous photograph by Berenice Abbott featuring a pair of gorgeous fives in starring roles. Abbott is best remembered for Changing New York, her seminal collection of photographs that documents New York of the 1930s; it’s both an inspiration and a great resource for designers, especially typeface designers whose work is influenced by the public sphere.
Fonts by Hoefler&Co.
DECEMBER 2, 2008
James Mosley shared with me this striking photograph of some of the world’s oldest type-making material. These brass matrices, made by a Dutch punchcutter in 1508, are now in the collection of the Enschedé Museum in Haarlem. It’s remarkable that they’ve survived long enough to celebrate their 500th birthday. Especially enthusiastic type buffs might recognize these as the Great Primer Uncials that we adapted for our Historical Allsorts collection, but even the most devoted
Speaker: Amber Asay, Creative Director and Founder of award-winning design studio Nice People
Understanding what trends are happening and how they’re impacting the competitive landscape is crucial to providing top dollar design strategy to your clients. With so many trends coming and going, it can be overwhelming to determine which ones you should capitalize on and which ones might not be worth the trouble. In this exclusive webinar with Amber Asay, we’ll explore graphic design trends that need to die, trends that are starting to pick up and why, trends that have come and gone, and how t
Fonts by Hoefler&Co.
DECEMBER 24, 2008
Our workshop, now elf-free due to labor regulations, has been hard at work on a couple of goodies that we’re looking forwarding to bringing you in January; watch this space. Until then, best wishes for the holidays and a happy new year — see you in 2009! —H&Co.
Fonts by Hoefler&Co.
DECEMBER 11, 2008
The disappearance of wood type has something to do with the slow fade of letterpress from the world of commercial printing; it also has something to do with that dude at the flea market who sells hot-glued wood type sculptures on the weekends. And the Dust Bowl didn’t help: seventy years ago, Americans throughout the Great Plains discovered that blocks of hardwood impregnated with linseed oil could be very useful in a whole new way, so into the furnace they went.
Graphic Arts Today brings together the best content for graphic arts professionals from the widest variety of industry thought leaders.
Fonts by Hoefler&Co.
DECEMBER 9, 2008
Picking up where we left off last year , we thought we’d round out 2008 with some holiday ideas for the recovering typophiliac in your life. I’m intrigued by Jen Bekman’s 20x200 , which every week produces small runs of small works on paper, at prices to match. Among their collection of prints and photographs is this limited edition print by Superdeluxe, the studio of designers Adrienne Wong and Karin Spraggs.
Fonts by Hoefler&Co.
DECEMBER 8, 2008
Regular readers of H&Co’s blog will notice a few changes to the blog today, chief among them the addition of tags. Some items are identified by visual labels ( Blackletter , Punctuation , Calligraphy , Lettering ), others are organized conceptually ( Behavior , Puzzles , Satire , Unexplained ); most tags have a little bit of both ( Modular Letters , Process , Paradoxes ).
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