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Risography’s limitations are integral to the work’s character; its layering of colors (fluorescent orange, gold, and federal blue) gives the zine a vibrancy and tactile depth that could not be achieved through digitalprinting. Petersen’s work often straddles a fine line between the clinical and the emotive.
Indeed, graphic design should be a process of lifelong education for everyone. Arranged chronologically to provide context, more than 320 typefaces are displayed in the form of their original type specimens or earliest printing. Print Matters: The Cutting Edge of Print by viction:ary. Buy the book. Buy the book.
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