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Her work explores composition, texture and emotion, drawing viewers into quiet, carefully structured scenes. Working across painting, textile design and illustration, she experiments with composition and texture to create a sense of motion. His compositions are immersive, with a strong sense of movement and texture.
But just like his biggest inspiration and obsession, Charley Harper, Chris's illustrations have recently focused on shape, texture and colour. Combined with an aesthetic from traditional printmaking techniques, he's settled into a new role as a graphic illustrator. How has your style changed in recent years?
I predominantly use dip and reed pens for linework, pencil crayon and pastels for texture, and brushes for more painterly marks with watercolour and gouache," he says. However, I am also interested in printmaking methods, screenprinting, mono printing, etching, and true grain.
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This time around, we sat down with Andrew Fairclough, the talented shop owner behind True Grit Texture Supply. by True Grit Texture Supply in Add-Ons. by True Grit Texture Supply in Add-Ons. by True Grit Texture Supply in Add-Ons. by True Grit Texture Supply in Add-Ons. Rusty Nib Inkers for Photoshop. Meet Andrew.
Just as Zoom doesn’t give you a way to shake hands, a digital portfolio doesn’t deliver a satisfying tactile experience for prospective clients. For you, that means a print portfolio will get a client much more excited about your work and make them more likely to remember it. And that’s how you get more work. Create a Print Portfolio.
And that means that if you're buying for fellow creatives, be they friends, family, clients or colleagues, they're much more likely to hit home and feel truly meaningful. And this one has been designed by Dutch designer/printmaker Karel Martens. Another great offering courtesy of Present & Correct.
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We chatted with her about her Shillington experience, love for all things graphic design and how she ended up founding her very own freelance studio working with amazing clients from all over Australia and the world. I hope I’m still working on fun briefs with my long-term clients while expanding my client base. Also…Pinterest.
A simple line combined with a subtle texture can help create a sense of movement. From photography to painting, to graphic design, to animation, to printmaking, to sculpture, there are many different ways to convey your message through images. The texture is the feel of a surface—furry, smooth, rough, soft, gooey or glossy.
Noa Denmon is a Pittsburgh-based illustrator, who creates detailed editorial illustrations for a clients such as The New York Times, The Washington Post and Macmillan Publishers. Her subject matter has a strong lean to portraiture and character, with her digital illustrations evoking the texture and energy of traditional media.
As an illustrator, your portfolio website is a crucial tool that helps both fans and potential clients explore your work. Some of her commissioned client work – such as that for Marie Claire or graphic design magazine Wrap – is highlighted using individual project pages. This post was last updated on February 4th, 2021.
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