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The American Institute of GraphicArts (AIGA) has been judging books by their covers for over 100 years. The annual competition was originally known as Fifty Books of the Year, and jurors focused on the “construction of the book and the printed page”, its current organiser Heather Strelecki tells Design Week.
Some things that Shaughnessy covers include: Finding clients as well as keeping them Setting fair prices for one’s work Freelance ins and outs Building up/managing teams in design firms What sets this book apart from others is how candidly it’s written.
Design School. Two relatively ordinary words, but once put together take on a distinct meaning – a glorified institute subliminally pushing the notion that the combination of art and academia is the recipe for success. Let’s start off by stressing…
Design School. Two relatively ordinary words, but once put together take on a distinct meaning – a glorified institute subliminally pushing the notion that the combination of art and academia is the recipe for success. Let’s start off by stressing…
Designer: Helmi Eltuni; Publisher: Al Shrouk Creative Review: Tell us about your background and how you got into design. Moe Elhossieny: I studied fine and graphicarts and graduated with a BA from the faculty of fine arts in Egypt back in 2009. The Coward Prince by Jacob Al Sharoni, 1983.
It also features forewords from revolutionary graphic artist Emory Douglas and sociologist Ruha Benjamin to give the book historical and socio-political context and an afterword from Eddie Opara, partner at Pentagram. The book is a true tour de force in the past, present and future of Black design.
Through projects and case studies of pioneering inclusive designers, who have often been influenced by their own experiences of exclusion, Holmes shows how inclusion can create innovation and allow design and designers to grow. Crucial reading for the future of design. Buy the book. Buy the book.
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