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Earlier this month, the American Institute of GraphicArts revealed the winners of its 50 Books | 50 Covers Competition, and the results are an insight into how design choices celebrate the object quality of the book. As ever, though, there's always room for improvement.
The American Institute of GraphicArts (AIGA) has been judging books by their covers for over 100 years. The annual competition was originally known as Fifty Books of the Year, and jurors focused on the “construction of the book and the printed page”, its current organiser Heather Strelecki tells Design Week.
Louise Fili and her design work Marian Bantjes: Step Away From the Computer! Based near Vancouver, British Columbia, Marian Bantjes ‘ extraordinary way with communication begs to be called “graphicart,” in the finest sense of the term.
Alison Forner is an Art Director at Avid Read Press and Simon & Schuster, whose work has been recognized by the American Institute of GraphicArts in their 50 Books/50 Covers Show. Here she tells us about her process for designing The Appointment.
There’s something absolutely fascinating about the Korean culture. It has taken over the entire world, with Korean pop stars, Korean makeup, Korean fashion, and everything else Korean dominating the scene everywhere you look. Of course, among the trends are Korean…
Some things that Shaughnessy covers include: Finding clients as well as keeping them Setting fair prices for one’s work Freelance ins and outs Building up/managing teams in design firms What sets this book apart from others is how candidly it’s written.
Design School. Two relatively ordinary words, but once put together take on a distinct meaning – a glorified institute subliminally pushing the notion that the combination of art and academia is the recipe for success. Let’s start off by stressing…
Design School. Two relatively ordinary words, but once put together take on a distinct meaning – a glorified institute subliminally pushing the notion that the combination of art and academia is the recipe for success. Let’s start off by stressing…
Designer: Helmi Eltuni; Publisher: Al Shrouk Creative Review: Tell us about your background and how you got into design. Moe Elhossieny: I studied fine and graphicarts and graduated with a BA from the faculty of fine arts in Egypt back in 2009. The Coward Prince by Jacob Al Sharoni, 1983.
It also features forewords from revolutionary graphic artist Emory Douglas and sociologist Ruha Benjamin to give the book historical and socio-political context and an afterword from Eddie Opara, partner at Pentagram. The book is a true tour de force in the past, present and future of Black design.
From architects and product designers to textile artists and digital innovators, Women Design profiles a selection of the most dynamic female designers from the modern era, showcasing their finest work and celebrating their enduring influence. Buy the book. Buy the book. And here’s the book to explain it.
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