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Earlier this month, the American Institute of GraphicArts revealed the winners of its 50 Books | 50 Covers Competition, and the results are an insight into how design choices celebrate the object quality of the book. As ever, though, there's always room for improvement.
The American Institute of GraphicArts (AIGA) has been judging books by their covers for over 100 years. The annual competition was originally known as Fifty Books of the Year, and jurors focused on the “construction of the book and the printed page”, its current organiser Heather Strelecki tells Design Week.
Louise Fili and her design work Marian Bantjes: Step Away From the Computer! Based near Vancouver, British Columbia, Marian Bantjes ‘ extraordinary way with communication begs to be called “graphicart,” in the finest sense of the term.
It also features forewords from revolutionary graphic artist Emory Douglas and sociologist Ruha Benjamin to give the book historical and socio-political context and an afterword from Eddie Opara, partner at Pentagram. The book is a true tour de force in the past, present and future of Black design.
Bringhurst shares with readers his knowledge about the history, theory and practice behind printing, which includes: The evolutionary process of lettering from ancient civilisations until now is that we have digital technology at our disposal. Mathematical and geometric principles used in designing different fonts or typefaces.
There’s something absolutely fascinating about the Korean culture. It has taken over the entire world, with Korean pop stars, Korean makeup, Korean fashion, and everything else Korean dominating the scene everywhere you look. Of course, among the trends are Korean…
Design School. Two relatively ordinary words, but once put together take on a distinct meaning – a glorified institute subliminally pushing the notion that the combination of art and academia is the recipe for success. Let’s start off by stressing…
Design School. Two relatively ordinary words, but once put together take on a distinct meaning – a glorified institute subliminally pushing the notion that the combination of art and academia is the recipe for success. Let’s start off by stressing…
The Cairo-based designer, researcher and writer has been working alongside volunteer researcher Nourhan El Banna, also based in Egypt, and assistant researchers Omayma Dajani (Palestine) and Yaman To’meh (Lebanon) to create the first digital archive for Arabic book cover designs published between the 1950s and 1990s.
From architects and product designers to textile artists and digital innovators, Women Design profiles a selection of the most dynamic female designers from the modern era, showcasing their finest work and celebrating their enduring influence. Buy the book. And here’s the book to explain it. Buy the book.
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