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Vietnamese art retailer TiredCity has revealed a striking rebrand, including a new typographic system, refined visuals, and a dynamic design language that reflects the brand's evolution in Vietnam's contemporary creative scene.
The work was carried out in partnership with Swedish design studio Bedow. Founded in 2005, Bedow's work moves beyond what is often lazily categorised as Scandinavian style, bringing together moments of hand-drawn details, designcraft and artfulness to create simple, thoughtful, practical design.
A fresh visual identity crafted by Bruce Mau Design is helping Canada's most esteemed ballet company pirouette past stereotypes and leap into the future of performing arts. In turn, Bruce Mau Design has transformed the full wordmark into lowercase using a robust typeface that feels more open and welcoming.
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They are now becoming an increasingly popular choice for homeowners who want to make a bold statement in their interior designstrategies. Unlike generic wall art or mass-produced decorative items, custom neon signs can be tailored to your specific preferences, allowing you to create a truly one-of-a-kind statement piece for your home.
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Study wise, a group of us Shillington students also organized a trip to a printing company, who’d come to Shillington to speak to us about the relationship between design and print. A big part of my stay was also experiencing some of the amazing collections of art. That was a really great learning experience as well.
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The brilliance behind Glad's branding and visual identity, crafted by Ozan Karako, showcases the essence of creativity and adaptability in the culinary world. The designstrategy employed by Karako for Glad is a masterclass in branding and visual identity.
As explored earlier, today’s designstrategies favour minimalism because streamlined logos are more easily comprehended, recognised and recalled. With brand visibility depending intensely on audiences connecting quickly with a logo’s symbolic meaning, the sparse yet strategic design allows rapid cognitive connections.
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After spending 10 months educating myself and crafting a passable portfolio, I started applying to open roles. Despite certain skills being weaker at the time, I navigated interviews adeptly by emphasizing the design process (how/why/what) I sent out applications to over 200 jobs, receiving responses from maybe 10. The kicker?
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The third edition - developed in collaboration with students from Dortmund University of Applied Sciences and Arts under the guidance of Professors Lars Harmsen and Andreas Ruhe - challenges traditional design approaches and embraces experimental typography in new and provocative ways. the latest instalment in its popular series.
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