This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
Earlier this month, the American Institute of GraphicArts revealed the winners of its 50 Books | 50 Covers Competition, and the results are an insight into how design choices celebrate the object quality of the book. As ever, though, there's always room for improvement.
Get inspired by these rockin’ female graphicdesigners! 8 Top Female GraphicDesigners Paula Scher: The Dame of Grande Design Louise Fili: Elegant Romance Marian Bantjes : Step Away From the Computer! Louise Fili and her design work Marian Bantjes: Step Away From the Computer!
The American Institute of GraphicArts (AIGA) has been judging books by their covers for over 100 years. Together and through that selection process, they might reveal answers to the secret of good bookdesign Strelecki says. “But books, physical books, remain stubbornly, thrillingly relevant.”
It also features forewords from revolutionary graphic artist Emory Douglas and sociologist Ruha Benjamin to give the book historical and socio-political context and an afterword from Eddie Opara, partner at Pentagram. The book is a true tour de force in the past, present and future of Black design.
He urges people not to regard typefaces as mere tools and to recognise them among fine arts by themselves. While primarily aimed at painters, the principles expounded herein apply equally well across all spheres of visual arts. Bringhurst treats typesetting as literature, discussing cultural implications and aesthetic values.
Through projects and case studies of pioneering inclusive designers, who have often been influenced by their own experiences of exclusion, Holmes shows how inclusion can create innovation and allow design and designers to grow. Crucial reading for the future of design. Buy the book. Buy the book.
We organize all of the trending information in your field so you don't have to. Join 66,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content