This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
Dubbed 'one of the most progressive figures in fine art photography', Garry Fabian Miller's work is currently on show at the Arnolfini Gallery in Bristol. The book echoes the typographic approach of the other exhibitiongraphics. The pair also worked closely together on the book's design accompanying the show, also called Adore.
Born in Madrid, Spain, Miriam studied graphic design in Brighton before returning to her hometown. She also boasts a degree in Philosophy, where she specialised in digital art and aesthetics. Her art not only captivates the eye but also invites viewers to ponder deeper questions about our relationship with the natural world.
Because internet access can impact access to healthcare and education, this is a very current and pressing issue to the local community, so be sure to check out the QR codes that link to Poster House at every exhibit location. Ifeoma Ebo of Creative Urban Alchemy and BlackSpace Urbanist Collective, Julian Alexander of Slang Inc.,
The Human Touch: Making Art, Leaving Traces' is a new, temporary exhibition at The Fitzwilliam Museum, Cambridge, with all exhibition and graphic design created by Nissen Richards Studio, working closely with the museum's curators.
Now, The Eames Institute of Infinite Curiosity has launched an exhibit – Ray’s Hand – that focuses solely on Ray, her talents, and the gender roles she worked against that were typical of the era. The exhibit opened on December 15, 2022 to mark what would have been her 110th birthday.
With their new exhibition at the Princeton University School of Architecture, MOS presents a new depiction of the architect at work and of the work of the architect all while innovating a twenty-first-century means of circulating them. 662) MOS ARCH is on view at the Princeton School of Architecture until April 22, 2022.
Serving Sculpture — Renewal of Finnish Craft & Design is an art and design display held as part of Stockholm Design Week 2022. The exhibition cooperates with the Finnish Institute in Stockholm, and UU Market, a collective and agency for new Finnish art and design. It belongs to Titilda’s creative minds. .
The George Mason University School of Art's "Nothing Personal" exhibition explores Baldwin and Avedon’s 1964 book with interactive design and a graphic chronology.
On top of this, she is also a teacher at the School of Visual Arts, contributes to Imprint and Uppercase magazine and has co-authored numerous books, including The Typographic Universe, American Typeplay and New Modernist Type. Her work has been exhibited at museums around the world and she is a professor at Yale University.
A Practice for Everyday Life (APFEL) has created a new identity for Lisbon’s Centro de Arte Moderna (CAM), inspired by the museum’s new building. The London studio’s new look and feel was rolled out across print and digital touchpoints including a new website, relaunch campaign, merchandise and exhibitiongraphics.
Sarah: Between 2012 and 2015 I had a part time role at the Institute of Contemporary Arts and during that time I was running my own practice 3 days a week – that’s when I really got a flavour for what it was like to be an independent designer and I loved it. The biggest benefit is the sense of freedom and the flexibility.
We organize all of the trending information in your field so you don't have to. Join 66,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content