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Dubbed 'one of the most progressive figures in fine art photography', Garry Fabian Miller's work is currently on show at the Arnolfini Gallery in Bristol. The book echoes the typographic approach of the other exhibitiongraphics. The pair also worked closely together on the book's design accompanying the show, also called Adore.
Born in Madrid, Spain, Miriam studied graphic design in Brighton before returning to her hometown. She also boasts a degree in Philosophy, where she specialised in digital art and aesthetics. Her art not only captivates the eye but also invites viewers to ponder deeper questions about our relationship with the natural world.
The Human Touch: Making Art, Leaving Traces' is a new, temporary exhibition at The Fitzwilliam Museum, Cambridge, with all exhibition and graphic design created by Nissen Richards Studio, working closely with the museum's curators.
Her focus was always about identifying, extrapolating, and creating for the need of each situation, in both her personal life and professional life – from a bouquet for a photograph to an exhibitgraphic to a toy to a picnic to a furniture prototype.”
With their new exhibition at the Princeton University School of Architecture, MOS presents a new depiction of the architect at work and of the work of the architect all while innovating a twenty-first-century means of circulating them.
In an incredible and extensive effort to pay homage to the strength, creativity and resilience of New York, NYCxDESIGN is presenting the second edition of An Ode to NYC , a city-wide exhibition supported by a host of showrooms, cultural institutions and innovative design businesses to showcase the poster designs created by a talented group of 16 designers. (..)
Serving Sculpture — Renewal of Finnish Craft & Design is an art and design display held as part of Stockholm Design Week 2022. The exhibition cooperates with the Finnish Institute in Stockholm, and UU Market, a collective and agency for new Finnish art and design. It belongs to Titilda’s creative minds. .
On top of this, she is also a teacher at the School of Visual Arts, contributes to Imprint and Uppercase magazine and has co-authored numerous books, including The Typographic Universe, American Typeplay and New Modernist Type. Her work has been exhibited at museums around the world and she is a professor at Yale University.
The George Mason University School of Art's "Nothing Personal" exhibition explores Baldwin and Avedon’s 1964 book with interactive design and a graphic chronology.
A Practice for Everyday Life (APFEL) has created a new identity for Lisbon’s Centro de Arte Moderna (CAM), inspired by the museum’s new building. The London studio’s new look and feel was rolled out across print and digital touchpoints including a new website, relaunch campaign, merchandise and exhibitiongraphics.
Sarah: Between 2012 and 2015 I had a part time role at the Institute of Contemporary Arts and during that time I was running my own practice 3 days a week – that’s when I really got a flavour for what it was like to be an independent designer and I loved it.
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