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Born in Madrid, Spain, Miriam studied graphic design in Brighton before returning to her hometown. She also boasts a degree in Philosophy, where she specialised in digitalart and aesthetics. Her art not only captivates the eye but also invites viewers to ponder deeper questions about our relationship with the natural world.
With the 59th Venice Biennale well underway, our attention turns to the Italian exhibition'sgraphic identity for 2022. In terms of typography, classical lettering is featured across the identity, weaving across multiple mediums, and is also animated for more digital content. Biennale Arte 2022: The Milk of Dreams.
Her focus was always about identifying, extrapolating, and creating for the need of each situation, in both her personal life and professional life – from a bouquet for a photograph to an exhibitgraphic to a toy to a picnic to a furniture prototype.”
To view a digital map and make your way through each location, visit NYCxDESIGN. The posters are also for sale on Poster House and proceeds from the sales will benefit Silicon Harlem, a non-profit that seeks to provide digital equity throughout the city.
On top of this, she is also a teacher at the School of Visual Arts, contributes to Imprint and Uppercase magazine and has co-authored numerous books, including The Typographic Universe, American Typeplay and New Modernist Type. Her work has been exhibited at museums around the world and she is a professor at Yale University.
A Practice for Everyday Life (APFEL) has created a new identity for Lisbon’s Centro de Arte Moderna (CAM), inspired by the museum’s new building. The London studio’s new look and feel was rolled out across print and digital touchpoints including a new website, relaunch campaign, merchandise and exhibitiongraphics.
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