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Distinguished by its sculptural balconies, ceramic detailing and (hopefully) vibrant high-rise greenery, the elegant yet assertive form promises to draw the eye. If we believe the Toronto of 2050 will be a better place than the Toronto of 1950, why does our design culture so often seem to convey the opposite idea?
Regardt Van Der Meulen is concerned with the ephemerality of human life, a fascination that manifests in his sweeping steel sculptures. Find more of Van Der Meulen’s fractured sculptures on Instagram. via Cross Connect Magazine ). Dematerialising” (2020), steel, 2050 milimeters. “Shadow,” steel, 2.8
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