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Students at Glasgow School of Art. Left to right: Billy Paterson (Communication Design Y3), Jihye Baek (MFA 2022), Fleur Connor (Painting and Printmaking 2022), Sophie Ammann, Leonie Hiller (Communication Design 2022). Insect Pasta by Chloe Kang, MA IndustrialDesign (Central Saint Martins).
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A newcomer on the art-fair circuit, Future Fair ’s 2022 edition was on view at the Chelsea Industrial in New York City last weekend. Wanting to create a “capsule-sized exhibition” the fair’s organizers sought to find a way to participate in the global art market in a carefully considered way. Lyndon Chair (2021) by Aleiya Olu.
She was awarded the Architectural League 2021 Emerging Voices award and the 2021 AIA Whitney M. ALAIN GILLES Portrait by Lydie Nesvadba Design as a second life: After a brief stint in the financial world, Gilles returned to study industrialdesign, at the urging of his wife, in France. JERRY VAN EYCK !melk’s
s first major step towards his goal of reinventing IBM with a design focus was to hire Eliot Noyes as the company’s first design consultant. He was a well-respected architect and industrialdesigner with a distinguished career, including his work as curator of industrialdesign at New York’s Museum of Modern Art.
Boundless Brand Design was brought in to relaunch Beefeater’s popular range of flavoured gins, as part of what it hopes will be a year of innovations in 2021. The idea for the series was to imagine how technology and design could be used to provide more accessible skincare solutions.
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In this article, I attempt to dissect the role of UX in the world dominated by AI and rockstar CEOs, debunk some common misconceptions about the responsibilities of UX designers, and demonstrate that although UX is not disappearing, it may be facing challenging times ahead. Design is in danger. “ The not so phantom menace.
We’ve been able to do some amazing things over the last few years in the design space and I’m very proud of what we’ve done. tldr; I love design, art, and technology. tldr; I love design, art, and technology. But, it’s time to wind it down. There’s a reason we work on teams.
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From Douglas Cardinal’s Canadian Museum of History and Raymond Moriyama’s Science North to John and Patricia Patkau’s Audain Art Gallery, the country’s public galleries and museums claim a leading place in the national design discourse, providing a civic lens through which we understand culture, art, history, and nature.
If that person happens to be an aesthetics-obsessed design nerd who loves calendars, magazines, and anything that will up their desk game—well, you’re in luck. Read on for the 2021 installment of our annual, can’t-miss-it ode to capitalism. Here are six of our 2021 faves. Image by Laura Thompson. 7–$11 per issue).
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“My love of art led me to work in museums and galleries. However, whilst working at the Australian Museum, I was intrigued and inspired by the work that the designers did. My husband is the head brewer and I take care of all our design needs, and together we split the operations, sales, admin etc.
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Art Director, Brand & Creative—Spotify We asked the creative community about the fonts they're excited to use over the next 12 months… and here they are. Designed by Matthew Carter and Cherie Cone, this font is characterised by high contrast and is intended for use at size 18 points or above. Sans Serifs 11.
Lise Vester Vester eventually headed to the Royal College of Art in London, where she earned a masters degree, then accepted jobs as a freelance designer for a range of companies, including Louis Poulsen. She would love to spend hours crafting rings, necklaces, and other baubles in a cozy workshop. Photo: Lise Vester 2.
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