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He has created popular illustrations for The New Yorker, The New York Times and The Guardian and recently published his first self-titled monograph with global art book publisher Phaidon.
Their team prides itself on providing an expert and friendly boutique service and supplying beautiful, eye-catching content to clients across all genres, including children's publishing, sci-fi and fantasy, concept art and character design. Paradise Sands - illustration by Levi Pinfold from the picture book published by Walker Studio.
Stay tuned to learn who our guest of honour will be in 2020. 3 Winners take home a one-of-a-kind trophy Winners take home the AZ Awards trophy , a limited-edition sculpture reimagined each year by an exciting designer – in past years, Michael Anastassiades, Philippe Malouin and Omer Arbel have designed trophies for the AZ Awards.
Digital and analog realms collide in the dynamic sculptures of Taiwanese artist Han Hsu-Tung ( previously ). Explore more of Han’s fragmented sculptures on his site and Instagram. “Shaolin” (2020), western redcedar, 130 x 78 x 40 centimeters. “Hussar” (2022), mixed wood, 71 x 81 x 26 centimeters.
.” Some of Cowan’s work is included in the recently published book, Objects: USA 2020. Until then, explore more of her textured sculptures on her site and Instagram. “Hen Collecting All of Her Ova” (2020), glass and mixed media, 18 x 20 x 9 inches. Photo by Matthew Hollerbush.
Another facet includes a broad, architectural sculpture that expands 30-square-feet. Left: “Kadeesa (Griffyx Cub)” (2020). ” That blurred temporality that foregrounds his sculptures and installations parallels his own trajectory, as well. “Esun” (2020). “Simis” (2019).
” Rasmussen’s sculptures often shapeshift, at first glance appearing like a cluster of foliage, pinecones, or berries and on closer inspection revealing a troll’s bearded face. Become a Colossal Member today and support independent arts publishing for as little as $5 per month.
Carla van de Puttelaar for Iris van Herpen, various collections (2020). Her “Arachne bustier,” part of the Meta Morphism collection, for example, features a sculptural form evocative of wings atop a gossamer bodice. Become a Colossal Member today and support independent arts publishing for as little as $5 per month.
“You Don’t Need a Weatherman to Know Which Way the Wind Blows” (2020), cardboard, staples, and polyurethane, 101 x 44 x 20 inches. Exemplifying the possibilities of combining humble materials with a good dose of resourcefulness, Ann Weber ’s monumental sculptures find their beginnings in discarded cardboard boxes.
I like to think of my sculptures, installations, exhibitions (as) projects from scratch, nourished by many other things,” she shares. Often in subdued color palettes or monochrome ceramic, her sculptures tend to display hybrid characteristics, like the human limbs and animal heads of “Triton IX.”
From Daniel Gordon: Houseplants (Aperture, 2020). Published by Aperture, Houseplants features quirky still lifes of potted vegetation and fruit that Gordon developed using photographs found online, a process that’s central to his overall practice. Say goodbye to the days of buying succulents only to watch them wilt and shrivel.
In response to the ongoing coronavirus outbreak, Twitter and Instagram are full of illustrations, pencil drawings, and wool sculptures of the mysterious figure. A post shared by Sonoko Takiguchi (@nokonokofelt) on Mar 10, 2020 at 4:23pm PDT. Become a Colossal Member and support independent arts publishing. by Tomotaka.
“My Joy My Joy My Joy” (2021), acrylic felt, polyester fiber fill, pyrite, glass beads, sea glass, vinyl sequins, white abalone shell, metal base, nylon thread, aluminum sculpture wire, and artificial sinew, 16.5 × 13.3 × 22 inches. Installation view of ‘The Body Electric’ at SITE Santa Fe, 2022.
In 2020, a Nashville hotel commissioned a large-scale installation of floating musical instruments for its lobby, and the artist is currently in progress on a sculpture using the original guitar that Robby Krieger played on The Doors’ first album. Find more on his website , and follow updates on Instagram.
Working across sculpture, installation, and video, the artist returns to the aesthetics of Africa and the African diaspora as she amends the art historical narrative by putting Black women and Black feminist thought at the center. Simone Leigh was published earlier this month by Delmonico Books and is available on Bookshop.
This spring edition kicks off with some fresh additions, including outdoor sculpture installations by Misha Libertee and Ivan Butorac; “Perceive Me,” a nude sketch portrait experience by Kristine Schomaker aimed at promoting self-love and positive body image; and live performances during Opening Night and the sought-after Friday Late party.
Last year’s Belfast Design Week Another festival that has pivoted to virtual, Belfast Design Festival is taking its 2020 theme of “Environment” online this year. Digital exhibition: Global Grad Show 2020. Online symposium: Design with the Living 2020. The books are available in November, published by Taschen.
Jun is known for sculptural pastries evocative of mountains, streams, and birds, which she refers to as “landscapes of joy.” Often working with domestic materials like candles and baked goods, Jun began Dream Cake Test Kitchen in 2020 as way to gather with small groups of friends when the world shut down.
With the profession having survived, even prospered through 2020, we’re fairly sure it can cope with anything that 2021 can throw at us. The cuts are not rigid, but interactions that are hand-crafted between each element, emphasising the concept of a typeface as a piece of art or sculpture. Neue Haas Grotesk.
Photos by Gary Mirando The natural patterns of turning tides and changing seasons illuminate the delicate porcelain sculptures of Martha’s Vineyard-based artist Jennifer McCurdy. Become a Colossal Member today and support independent arts publishing for as little as $5 per month.
“The writing often references previously published texts that can be problematic and outmoded.” Image courtesy of the artist and Peter Blum Gallery, New York Raven Halfmoon, “Hey’-en, Ina, Ika” (2020), stoneware and glaze, 58 x 48 ½ x 19 inches.
This encounter prompted what’s now a growing series of engraved sculptures, many of which comprise the Poly S. You can follow updates and see more of his scrimshaw sculptures on Instagram. Tyrene Memorial Maritime Museum” (2020), painted, salvaged plastic, ink, wax, 12.5 Tyrene Memorial Maritime Museum.
“bridge” (2018), lodgepole pine, weathered barn boards, and steel rope, 20 meters long and 4 meters high, for Blackfoot Pathways: Sculpture in the Wild, Lincoln, Montana. Collaboration with Marco Dessardo, “pontoon” (2020), wood, plastic containers, iron, and aluminum, 900 x 120 x 150 centimeters.
Highly regarded for her versatility and hands-on approach, Bargmann received her BFA in sculpture at Carnegie Mellon University before earning her Masters in landscape architecture at Harvard. She partnered with Lexus on conceptual design explorations for Design Miami/ 2020 and co-curated the second Lagos Biennial in 2019.
2020 has been one hell of a year—and that’s potentially the understatement of the year, too. We’re all dreaming of a pink Christmas… This striking pink tote bag from 2020 Shillington Guest Lecturers, Snask, might just be our favourite accessory of the year. So, everyone is looking forward to the season. The big haul!
Become a Colossal Member today and support independent arts publishing for as little as $5 per month. Possibilities of Paper brings together thirteen artists from around the U.S. Right: Roberto Benavidez, “Bosch Beast No. inches each Left: Detail of Eric Standley’s “Drift” (2022).
These experiences spurred a now two-decade endeavor known as the Drifters Project , a practice of creating installations and sculptures that help visualize the catastrophic amount of plastic ruining the world’s ecosystems. Become a Colossal Member today and support independent arts publishing for as little as $5 per month.
Photography provides the foundation for the Houston-based artist’s practice, which often encompasses sculpture, text, and collage to examine ideas around self-representation, gender, race, and a sense of belonging. Become a Colossal Member today and support independent arts publishing for as little as $5 per month.
Since 2020, Mark Peterman has been constructing worlds of his own using miniature sets and props, blurring the lines between fact and fiction. . “For each photograph, I fabricated site-specific installations and sculptures using biblically symbolic materials such as sheep’s wool, clay, and human hair. Mark Peterman.
1048 Mesh” (2020, powder-coated galvanized mesh, 153 1/2 × 232 1/4 × 110 1/4 inches, courtesy of Begum Studio and Kate MacGarry Gallery Nicole Eisenman, “Maker’s Muck” (2022), plaster, clay, seashell, etc., Become a Colossal Member today and support independent arts publishing for as little as $5 per month.
Frutiger had dabbled in both sculpture and type design from a very young age, and the influence of the strict, formal cursives taught to him in his Swiss schooldays galvanised him to create more modernist and revolutionary alternatives. 01 May 2020. 16 May 2020. 10 Jan 2020. Image from Wikimedia Commons. Grace Fussell.
In 2020, the school published a document outlining the Calls to Action drawn from the university’s response to the Truth and Reconciliation Commission of Canada. Shortly thereafter, the school also welcomed an Indigenous sculpture onto the heart of the campus.
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