2020 Printmaking Publishing 
Creative Boom
NOVEMBER 25, 2024
Tunnel IV, 2024 © Dafi Kühne Tipoteca 1–25, 2020 © Dafi Kühne After completing a bachelor's degree in Visual Communication at Zurich University of the Arts in 2009, Kühne opened his own poster design and letterpress printing studio, "Babyinktwice", in the Swiss Alps. Turboblock Nr.
Creative Boom
JULY 3, 2023
Her self-initiated project Graphia (which means "to write" in Greek) features a collection of artisan wine label designs inspired by her love for typography and printmaking. The strict use of black and white is a classic colour combination often used in printmaking," she says.
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Creative Boom
APRIL 12, 2022
Founded in 1985, London Original Print Fair is an unrivalled opportunity for people to view and buy original prints from top international dealers, publishers and studios. The purpose of the Fair is to promote prints as collectable works of art," organisers explain. Picasso 'Grande Tête de Jacqueline au Chapeau'. Picasso 'Le repas frugal'.
Creative Review
JANUARY 4, 2022
These elements were used throughout the Bauhaus’ printed output, such as teaching materials and promotional ephemera like posters and pamphlets, as well as the school’s self-published magazines and books. Among the most recent works in the show are a 2020 piece by digital designer Zach Lieberman titled love reflect #2.
Colossal
OCTOBER 23, 2023
Works in her recent solo exhibition, WRETCHED , combine traditional printmaking with mystical aesthetics from the late 1800s. Become a Colossal Member today and support independent arts publishing for as little as $5 per month. Mark your calendars for The Other Art Fair Brooklyn’s return from November 9 to 12.
Design Week
FEBRUARY 4, 2020
His first major commission in 1931, for publishers Faber & Faber was to design and illustrate Siegfried Sassoon’s Memoirs of an Infantry Officer. Despite living through World War II, his “optimism” drove his outlook: “He always believed people were good.”
Colossal
MAY 4, 2023
“Blue Stars” (2020), relief printing, charcoal, acrylic, liquid gold leaf, decorative papers, hand stitching. “Resting Place” (2020), charcoal, acrylic, decorative papers, hand stitching While this conceptual layer remains throughout all of Martin’s works, her vast use of symbols shifts with each portrait.
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