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Psychedelic universe You, Me and The Balloons invites visitors to immerse themselves in Kusama's psychedelic universe as they journey through a colourful landscape of large-scale inflatable sculptures, many standing over 10 metres tall or suspended from the 21-metre-high ceiling. Installation view, Fosun Foundation, Shanghai.
“Credible Small Secrets” (2021-present), sculpture, printed fabric, human hair, nylon thread, glass beed, and steel pen, variable dimensions. Photo by Chris Arend “Credible, Fairbanks” (2019), painting, mixed media, 16 x 16 inches. The mitts were all handmade and lent by local community members.
Inspired by the South Central neighborhood of Los Angeles, where Lauren Halsey s family has lived for generations, vibrant sculptures and site-specific installations vividly reflect the artist’s community. Become a Colossal Member today and support independent arts publishing for as little as $7 per month.
Each photograph features a solitary figure in a landscape wearing a sculpture of the natural elements of their choosing. Materials such as moss, bull kelp, puffball mushrooms, and millet must be gathered and assembled into what amounts to a wearable sculpture. “Karin” (Norway 2019). “Mane” (Senegal 2019).
Photo by Jason Wyche Based in Sitka, Alaska, Galanin often incorporates traditional Tlingit and Unangax art forms into contemporary sculptures and installations. Photo by Brad Tone “The Value of Sharpness: When it Falls” (2019), 60 porcelain hatchets, 13 1/4 x 5 x 1 inches each; installation variable.
“Draco” (2019), paper, wood, LEDs, 40 x 72 x 3 inches. San Francisco-based artist Zai Divecha fashions countless pleats, creases, and flaps for her monochromatic paper sculptures. “Draco” (2019), paper, wood, LEDs, 40 x 72 x 3 inches. Become a Colossal Member and support independent arts publishing.
Detail of “Kumbi Saleh 3020 CE” (2019). Another facet includes a broad, architectural sculpture that expands 30-square-feet. Right: “Flower Girl” (2019). ” That blurred temporality that foregrounds his sculptures and installations parallels his own trajectory, as well. via Hyperallergic ).
“Bridesmaid Returns to the Shore of Her Full Moon” (2019), glass and mixed media, 23 x 22 x 9.5. ” Some of Cowan’s work is included in the recently published book, Objects: USA 2020. Until then, explore more of her textured sculptures on her site and Instagram. Photo by Matthew Hollerbush.
Photo by Alix Joiret The soft pile of tufted yarn meets vibrant color in Brussels-based artist Shishi San ’s bold sculptures. She began tufting in 2019, working on two-dimensional pieces that feature playful flowers, insects, and other creatures, and last year, she propelled her practice into the three-dimensional realm.
centimeters “Potential” (2019), clay, 17 x 12 x 32 centimeters “Free Animal” (2024), clay, 43.5 Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article From Fire to Wind, JiSook Jung’s Ceramic Sculptures Animate the Elements appeared first on Colossal.
It’s also an apt title for a poetic exhibition of sculptures blending beastly and botanical forms by the late Claude (1925-2019) and François-Xavier Lalanne (1927-2008). Become a Colossal Member today and support independent arts publishing for as little as $5 per month.
Coated with soft flocking —a process of applying very fine fiber to the surface of an object—the large-scale ceramic sculptures were initially layered only with velvety black until a few years ago, when one day, the Finnish sculptor decided to flock one of those pieces with yellow, too. Do stories and artists like this matter to you?
Detail of “Grotte” “2 Forêts” (2023), cardboard and wood, 37 x 109 1/2 x 11 3/4 inches “Forêt Noir” (2019), bronze, 30 3/4 x 27 1/8 x 5 7/8 inches Left: Detail of “2 Forêts.” Become a Colossal Member today and support independent arts publishing for as little as $5 per month.
A forthcoming monograph published by Phaidon celebrates Jullien’s broad body of work, which spans public sculpture, illustration, and design. Vivi (70 3/4 inches), Bruno (66 7/8 inches) Lili (55 1/8 inches), (2019), acrylic paint on aluminum. Sculpture for the show The People (2017), fiberglass, 4 7/8 feet.
Exemplifying the possibilities of combining humble materials with a good dose of resourcefulness, Ann Weber ’s monumental sculptures find their beginnings in discarded cardboard boxes. “The sculptures can be viewed as a critique of contemporary consumerist culture, but that is not my sole intent,” she continues.
See “Rejuvenation” through the fall, and find more sculptures on Bacon’s website and Instagram. “Rêverie” (2023) Detail of “Rêverie” (2023) “Don’t Let Go” (2019). Become a Colossal Member today and support independent arts publishing for as little as $5 per month.
” Rasmussen’s sculptures often shapeshift, at first glance appearing like a cluster of foliage, pinecones, or berries and on closer inspection revealing a troll’s bearded face. Become a Colossal Member today and support independent arts publishing for as little as $5 per month.
Throughout 2024, we were awed by archaeological finds, vibrant paintings, striking sculptures, remarkable photography, immersive installations, and so much more. “ [Loy]” (2019), Arjunpur Amra Sabai Club, Kolkata. Become a Colossal Member today and support independent arts publishing for as little as $7 per month.
11 Awesome lectures that happened at Futuro 2019. Publishing and how to stay sane. Spiridon Giannakis talked about publishing – a subject that is an important part of being a freelance artist and a subject which was of huge interest to the audience at Futuro. Ever since, he’s been occupied with publishing.
“The Womb” (2019), Frederik Meijer Gardens and Sculpture Park. “Banquet” (2019), La Roche Jagu, France. “Florilegium” “Banquet” (2019), La Roche Jagu, France. Become a Colossal Member today and support independent arts publishing for as little as $5 per month.
Lamps, blocks, and salvaged wood comprise an array of elaborate sculptural works that he meticulously arranges among trees, along bluffs, and in the sand. During the past four years, the artist ( previously ) transitioned from using obsolete products to creating all of his sculptures from scratch with primarily reclaimed wood.
“My Joy My Joy My Joy” (2021), acrylic felt, polyester fiber fill, pyrite, glass beads, sea glass, vinyl sequins, white abalone shell, metal base, nylon thread, aluminum sculpture wire, and artificial sinew, 16.5 × 13.3 × 22 inches. Installation view of ‘The Body Electric’ at SITE Santa Fe, 2022.
“Harvey’s Twitter SOS” (2019), paper, wood, vinyl, and data, 84 x 108 x 12 inches. “ Each piece began with a specific question I had and then the sculpture would attempt to answer it. “ Each piece began with a specific question I had and then the sculpture would attempt to answer it.
“Cupboard IX” (2019), stoneware, raffia, and steel armature, 78 × 60 × 80 inches. Working across sculpture, installation, and video, the artist returns to the aesthetics of Africa and the African diaspora as she amends the art historical narrative by putting Black women and Black feminist thought at the center.
This spring edition kicks off with some fresh additions, including outdoor sculpture installations by Misha Libertee and Ivan Butorac; “Perceive Me,” a nude sketch portrait experience by Kristine Schomaker aimed at promoting self-love and positive body image; and live performances during Opening Night and the sought-after Friday Late party.
” Then, following his unexpected death in 2019, its fate was suddenly uncertain. Become a Colossal Member today and support independent arts publishing for as little as $7 per month. He continued to collect unique objects and transform his home into his ultimate fantasy, his self-described “villa.”
And in “Pollution Palace,” monumental inflatable sculptures shaped like hybrid pineapples and leggy blooms glow preternaturally at night. Become a Colossal Member today and support independent arts publishing for as little as $5 per month.
“‘REACH’ is a connection point and large-scale gesture that inspires us to come together,” says Thomas, whose sculptures have often incorporated hands and arms in symbolic positons such as embraces, the Black Power fist, or hands-up defensive signals that evoke historical events and activism.
Her early drawings and sculptures literally turned the figure inside out, often depicting organs, body parts , and bodily fluids, which related closely to the root concern in the AIDS epidemic as well as the visceral experience of the menstrual cycle. . Edition 1 of 3, edition of 3 + 1 AP Do stories and artists like this matter to you?
“bridge” (2018), lodgepole pine, weathered barn boards, and steel rope, 20 meters long and 4 meters high, for Blackfoot Pathways: Sculpture in the Wild, Lincoln, Montana. “La folie des folies (3 The Match)” (2019), resin, div. “La folie des folies (3 The Match)” (2019), resin, div.
Latin American Artists: From 1785 to Now , forthcoming from Phaidon, spans 352 pages of contemporary and historic paintings, sculptures, installations, photographs, performances, and more. Become a Colossal Member today and support independent arts publishing for as little as $5 per month.
As a true consummate print and typography nerd, Annette runs her own independent experimental publishing imprint called Dossier Industries , where she designs and produces bespoke printed literature across a wide range of subjects. So I contacted her and we met up soon after to discuss. What was the project scope for Oversharing My Selves ?
Natasha Kanevski, “The desire to be in control #12” (2024), clay and acrylic on canvas Natasha Kanevski crafts monochrome meta-modernistic sculptures on canvas, spotlighting texture and composition. Become a Colossal Member today and support independent arts publishing for as little as $5 per month. Her works, acclaimed in U.S.
This encounter prompted what’s now a growing series of engraved sculptures, many of which comprise the Poly S. You can follow updates and see more of his scrimshaw sculptures on Instagram. Tyrene Memorial Maritime Museum” (2019), painted, salvaged plastic, ink, wax, 12.75 Tyrene Memorial Maritime Museum.
Highly regarded for her versatility and hands-on approach, Bargmann received her BFA in sculpture at Carnegie Mellon University before earning her Masters in landscape architecture at Harvard. She partnered with Lexus on conceptual design explorations for Design Miami/ 2020 and co-curated the second Lagos Biennial in 2019.
gu wenda, “united nations: american code” (2019), human and synthetic hair. Become a Colossal Member and support independent arts publishing. If you’re in Chicago, make sure to check out the exhibition at both the Smart Museum and Wrightwood 659 before it closes on May 3.
29 Jul 2019. 27 May 2019. 06 Aug 2019. 04 Jun 2019. 30 Best Fonts for Making Monograms & Logo Designs in 2019 Design amazing logos with monogram fonts. 04 Apr 2019. 16 Aug 2019. 24 Jun 2019. Laura Keung. Grace Fussell. Typography. Laura Keung. Typography. Mary Winkler. Melody Nieves.
Right: “An abundance of possibilities” (2022), raku, earthenware clay, and various glazes, 65 x 40 x 42 centimeters Often monochromatic, many of the sculptures are glazed in a clear coat, blush, or black. Become a Colossal Member today and support independent arts publishing for as little as $5 per month.
These experiences spurred a now two-decade endeavor known as the Drifters Project , a practice of creating installations and sculptures that help visualize the catastrophic amount of plastic ruining the world’s ecosystems. Become a Colossal Member today and support independent arts publishing for as little as $5 per month.
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