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Summer is the “off season” for the contemporary art galleries, which means weekend closures, group exhibitions, and surprising gems! The first “Universes” was in Imola, Italy in 2018, then Amsterdam in 2019, Hong Kong in 2020, and most recently Paris in 2021. Made to be Broken at PPOW Gallery. Made to be Broken at PPOW Gallery.
The Amsterdam-based artist duo DRIFT is known for deconstructing and remixing reality, transforming everyday objects into surprising sculptures that shift our perceived relationships with the world. Installation view of DRIFT Materialism: Past, Present, Future at Pace Gallery. Pencil, 2018. Pencil, 2018 (detail).
“My paintings teeter on the edge of sculpture and my sculptures are mostly painted,” said Czechoslovakian contemporary artist Jan Kaláb. Since the early days of his practice, paintings, sculptures, and 3D graffiti have been added to his portfolio, and his work has been shown in galleries around the world.
Photo Tchad Findlay Sculptor and artist Fiona Campbell creates drawings in space, blurring boundaries between sculpture, drawing and installation. The widescreen spanned the entire wall of a gallery, and the sound of cows being slaughtered, the squealing of pigs, and pesticides spraying on a sea of swaying yellow sunflowers.
The massive suits he creates, and wears as a Black Master in ceremonial battles on Mardi Gras day, are sculptural forms based on his own body. Ethiopia, Demond Melancon, 2018. “Some suits that were important in the historical narrative in New Orleans are at the Arthur Roger Gallery. Ethiopia, Demond Melancon, 2018.
The exhibition of furniture, lighting, and objects is happening at the Voltz Clarke gallery on the Lower East Side, featured with the abstract art of France-based painter, Heather Chontos. Photography by Sean Davidson.
A native of Southern California, Purnell has always spent time outdoors and was inspired to start LAUN with Rachel Bullock after noticing a gap in the outdoor furniture market for innovative and sculptural design. The studio’s work perfectly combines Molly’s background in fine art, architecture, and woodworking. Playgrounds.
Exemplifying the possibilities of combining humble materials with a good dose of resourcefulness, Ann Weber ’s monumental sculptures find their beginnings in discarded cardboard boxes. ” Weber recently wrapped up a major exhibition at Wönzimer Gallery in Los Angeles. Photo by Ray Carofano. Photo by M. Lee Fatherree.
All images courtesy of Heller Gallery. Although Dam’s sculptures reference the colors, textures, and shapes of real-life specimens, his imaginative works are inventive interpretations of evolution and biology. Find more of the artist’s recent works on his site and at Heller Gallery in New York, where he’s represented.
Swatch began their Museum Journey series in 2018, partnering with the aforementioned art institutions of note. Priced at just $110, the quartz movement, plastic case, and silicone strap wristwatches making up the Swatch x Tate Gallery Collection is transparently intended to make watch collecting and art appreciation attainable endeavors.
In 2016, Leeds based design agency, Passport , designed the much acclaimed brand identity for The Hepworth Prize for Sculpture. The biennial award is awarded to any British or UK-based artist, of any age, at any stage in their career, who has made a significant contribution to the development of contemporary sculpture.
All images courtesy of the artist and Ronchini Gallery, shared with permission For less than ten seconds, Berndnaut Smilde ’s floating sculptures transform galleries, halls, and warehouses into uncanny spaces where indoors meets out. Photo by Cassander Eeftinck Schattenkerk “Nimbus Katoenveem ” (2018). Photo
Dress by Michelle Smith worn by God-is Rivera in front of Amy Sherald’s “First Lady Michelle Obama” (2018) at the National Portrait Gallery. Dress inspired by Seward Johnson, “Welcome Home” (2014) at Grounds for Sculpture. Image by Ariel Adkins. Image by Meri Feir. Image by Will Sealy.
All images courtesy of Paradigm Gallery, shared with permission. Encompassing ceramic sculptures and sparse lithographs, Nam’s body of work evokes “an ever-present, yet always changing still life,” one that displays the ubiquitous objects of her everyday in more permanent forms. inches.
Some of the artist’s animals are on view in a group exhibition at Penland Gallery through September 17, and others are included in a forthcoming book devoted to North Carolina’s art culture. “Tigris” (2018), copper rod, archival print on paper, artificial sinew, epoxy, plastic, 64 x 61 x 30 inches. .
The Borden Park Pavilion was the first of several interventions by the architecture and urbanism firm, which also designed the magnificent natural swimming pool that recently opened there (one of our favourite projects of 2018 ). Illusuak Cultural Centre by Saunders Studio, 2018. Calgary Central Library by Snøhetta and Dialog, 2018.
by Tzido Gallery in Photos. And that brings us all the way to 2018, which is seen by many as the point in time when artificial intelligence art came into the forefront. Recently, in the fall of 2018, this auction house successfully sold a painting that was an artwork of artificial intelligence, rather than a human hand.
We launched our furniture collection in 2018 to bring together our backgrounds in woodworking, metal working, and architecture, always celebrating the unique talents of the city’s incredible manufacturers to create sculptural, heirloom-quality pieces that can live both indoors and outdoors.
The Winnipeg Art Gallery has the largest collection of Inuit art in the world as they also hold in trust the entire collection of the Government of Nunavut. Echoing the convex and concave gestures of the architecture, the undulating glass-clad visible vault contains over 4,500 sculptures by artists from across the North.
In 2018, the Italian photographer even earned an endorsement from fashion designer J onathan Anderson , who along with a panel of esteemed judges chose to feature him in an exhibition and book spotlighting photography ’s rising stars. . Looking at his portfolio, it’s clear to see the cross-pollination. .
Latin American Artists: From 1785 to Now , forthcoming from Phaidon, spans 352 pages of contemporary and historic paintings, sculptures, installations, photographs, performances, and more. Photo by Bruno Leão. Image courtesy of GRIMM Amsterdam / New York / London Eduardo Navarro, “Instructions from the Sky” (2016).
Highly regarded for her versatility and hands-on approach, Bargmann received her BFA in sculpture at Carnegie Mellon University before earning her Masters in landscape architecture at Harvard. Social justice projects have been a core focus of Blumberg’s practice.
At Eternity's Gate (2018). Kusama: Infinity (2018). National Gallery (2014). At Eternity's Gate (2018), Julian Schnabel. The house is currently in display as a landmark in the Art Gallery of Nova Scotia. The film interviews those closest to Ai, from family members to art gallery managers. Frida (2002).
In addition to these storied vessels, which range vastly in scale, he also relays more personal experiences in his sculptural works. Prior to establishing her namesake business in 2018, the Master of Architecture grad played key roles on the product development teams of two of Canada’s leading furniture companies, EQ3 and Gus* Modern.
Their sculptural form and imposing scale suggest a labyrinth as envisioned by Henry Moore, but Cloud Garden, as the design is known, was created entirely with small fry in mind, its arches and cutouts tailor-made for scrambling under, climbing over and gamboling through. Jaffa Hotel and Residences by John Pawson and Ramy Gill, 2018.
Trained as an architect, Abloh was best known as a fashion designer – he founded his groundbreaking Off-White label in 2013 and took the helm of Louis Vuitton menswear in 2018, where he was the first Black artistic director in the brand’s history. Abloh’s ceramic brick for Vitra.
5 A Light at the End of the Tunnel Back in 2018, architect Andrea Caputo set out to create something that he felt Milan was missing: a research institution and incubator dedicated to nurturing young talent. Since then, he has been gradually building up to the opening of an architecture and design centre dubbed Dropcity.
In an immersive installation at Locust Projects, textile sculptures will be shown in concert with the projected video game, which can also be downloaded. Jennifer Clay: Eyes Of The Skin Clay’s video game uses textiles and stop-motion animation to explore anxiety, depression, and the concept of being “lost in the woods.”
Paris-based Austrian designer Robert Sadler is featured in a major way at Carpenters Workshop Gallery’s booth. Introduced in 2018, the table is made of Hotavlje stone from Slovenia, its CNC-cut components fitting together like an eclectically imagined puzzle. Also on show is Charles Trevelyan’s Fuse II (below).
In 2007, for example, their Solstice Arts Centre in Navan, Ireland transformed a parking lot-cum-weekend market into a sculptural visual-arts complex. Taking inspiration from natural and constructed anchors – from churches to ruins to outcroppings – the new civic structure comprises a 320-seat theatre and gallery above.
Moriyama & Teshima and Acton Ostry Architects ’ winning scheme for the mass-timber tower (formerly dubbed The Arbour) was announced in April 2018 and took home the AZ Award for Unbuilt Buildings the next year. A symbol of winding migrant journeys, the sculptural form culminates in panoramic views of the landscape.
Today she designs industrial manufactured products, experimental prototypes, and sculptural one-offs. Cecilie was also named Designer of the Year 2018 at Maison&Objet Paris, and received the E. Functionality is a key point in my work. Functionality – Art.
“Die Bagage” (2018), ceramic. Along with delicate flowers in porcelain, Berlin-based artist Angelika Arendt applies minuscule orbs, dots, and thin, curved lines to her meticulously textured sculptures. “Come back as a flower” (2018), biscuit porcelain, 26 x 20 x 20 centimeters.
“Street Dragon I” (2018), shoes, wire, and screws on a metal stand, 64.5 New Jersey-based artist Willie Cole juxtaposes readymade footwear and African tradition in his series of sculptural masks. His work is currently on view at Alexander and Bonin in New York City and Beta Pictoris Gallery in Birmingham.
“Green Cosmarium Segmentation” (2018), hot sculpted, cut, color laminated, carved, glass, 7 1/4 × 10 × 7 1/4 inches. Lee is based in Carbondale, Illinois, where he teaches at Southern Illinois University , and many of the pieces shown here will be part of a group show at Duane Reed Gallery in St. x 13 x 14 inches.
“Undulating Beauty” (2018), black cable ties, 21 x 7.5 Artist Sui Park ( previously ) zips together simple nylon cable ties to create sprawling biomorphic sculptures and site-specific installations that resemble heaving nighttime seas, prickly moss, and vibrant amorphous creatures. .
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