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Japanese illustrator Shotaro Kitada uses humble rolls of copy paper to create three-dimensional handmade sculptures that inhabit their own peculiar reality. Having studied graphics at university, Shotaro Kitada started his artistic career in 2018 as an illustrator. A few months before this exhibition, I moved to a new place.
Marik Lechner’s first exhibition stateside promises one thing: Mild Pain Guaranteed. Using thread and wool, along with spray paint, glue, and found objects, each piece is part painting and part sculpture that feels like it’s bursting at the seams with energy.
Summer is the “off season” for the contemporary art galleries, which means weekend closures, group exhibitions, and surprising gems! Here are 4 exhibitions worth cutting out of work a couple hours early: Paola Pivi’s “Free Land Scape” at Perrotin New York. There are two underground exhibitions (!!!) in Tribeca.
Meanwhile, the marquee Heimtextil 2025 installation sees visionary designer Patricia Urqiola transform an exhibition hall into an invigorating and welcoming design hub. For the first time, 2025 sees Heimtextil welcome a collaboration with Milan-based design platform Alcova.
Named by Fast Company as one of its 100 Most Creative People in Business and the recipient of the 2018 AIGA medal, she’s won numerous awards in both advertising and entertainment. A sculpture park for giants – it’s all about scale. I first saw this image as a teenager, at a cartoon exhibition. Photo: Karin Fong.
For NYCxDesign 2023 , Sight Unseen launched an exhibition to debut its latest additions to their Sight Unseen Collection , which includes the work of both up-and-coming and established designers. Work from 23 global designers and studios is on display through May 24, 2023, and can be ordered directly from Sight Unseen.
.’ That chair and that philosophy left a lasting impression on me, and today I almost exclusively work within that blurry space between art, design, craft, sculpture, autobiography, and history. ” Shortly after Palaash graduated with his masters, he and Utharaa opened the doors to soft-geometry in 2018.
The Valencia-based duo works collaboratively to cast bronze sculptures that explore the nuances of the body through dance-like movements and distinct gestures. “Probably that is the main reason why we are attracted to sculpture. . “Probably that is the main reason why we are attracted to sculpture.
After graduating from the University of Brighton with a first-class bachelor of Arts, Sophie initially pursued a career in film and television before returning to art in 2018. However, when you're a full-time creative and have bills to pay, exhibitions to organise, and collections to produce, it becomes necessary to give yourself deadlines.
The sculptural animals are known as Strandbeests and are part of a growing menagerie by artist Theo Jansen ( previously ), who’s been constructing large-scale, kinetic beings powered entirely by the wind since 1990. “Animaris Mulus, Silent Beach” (The Hague, 2018). “Animaris Umerus, Scheveningen” (2009).
The massive suits he creates, and wears as a Black Master in ceremonial battles on Mardi Gras day, are sculptural forms based on his own body. Ethiopia, Demond Melancon, 2018. Ethiopia, Demond Melancon, 2018. Demond Melancon documentary production still, 2018 Photo: Gabriel Bienczyck.
Exemplifying the possibilities of combining humble materials with a good dose of resourcefulness, Ann Weber ’s monumental sculptures find their beginnings in discarded cardboard boxes. “The sculptures can be viewed as a critique of contemporary consumerist culture, but that is not my sole intent,” she continues. Photo by M.
In 2016, Leeds based design agency, Passport , designed the much acclaimed brand identity for The Hepworth Prize for Sculpture. The biennial award is awarded to any British or UK-based artist, of any age, at any stage in their career, who has made a significant contribution to the development of contemporary sculpture.
Gustavo by Lift Type Designed by Romain Oudin in 2018, Gustavo is a geometric and slightly wide-shaped sans serif, a classic typeface with a splash of personality. Span by Jamie Clarke Type Span is a modern glyphic type family with sweeping serifs and sculptural forms. Bolt identity by Koto. Featuring Agrandir by Pangram Pangram 12.
Because words do not necessarily have to be written in straight lines, just like sculpture may not need to have permanence, Sirató ends the manifesto with the following words, “Deductive with respect to the past. Vanja Malloy (pictured on the center) curated the Dimensionism exhibition in 2018. Alive in the present.”
Drawing allusions to the unfolding landscape and snowdrifts as well as ice floes, Maltzan’s completed structure comprises exhibition, education and studio spaces across an entirely glazed ground floor topped with two opaque storeys concealed behind carved and sinuous Bethel White granite facade.
A new exhibition, The Imaginary Worlds of Photography , at Palazzo del Duca in Senigallia, Italy, celebrates Skoglund’s career through a survey of her remarkable photographs, emphasizing her attunement to the relationships between hues and contrasts, her subjects, and elements of each set.
Some of the artist’s animals are on view in a group exhibition at Penland Gallery through September 17, and others are included in a forthcoming book devoted to North Carolina’s art culture. “Tigris” (2018), copper rod, archival print on paper, artificial sinew, epoxy, plastic, 64 x 61 x 30 inches.
1 A Surrealist Ball The Fiera Milano Rho is never lacking for cinematic appeal thanks to the sweeping, Studio Fuksas-designed canopy sheltering the exhibition centre’s main walkway. Inspired by the flow of water — and enhanced by projection mapping techniques — the stand seems set to blend together a spa day and an art exhibition.
All images courtesy of the artist and Ronchini Gallery, shared with permission For less than ten seconds, Berndnaut Smilde ’s floating sculptures transform galleries, halls, and warehouses into uncanny spaces where indoors meets out. Photo by Cassander Eeftinck Schattenkerk “Nimbus Katoenveem ” (2018). Photo
We launched our furniture collection in 2018 to bring together our backgrounds in woodworking, metal working, and architecture, always celebrating the unique talents of the city’s incredible manufacturers to create sculptural, heirloom-quality pieces that can live both indoors and outdoors.
Dress by Michelle Smith worn by God-is Rivera in front of Amy Sherald’s “First Lady Michelle Obama” (2018) at the National Portrait Gallery. Dress inspired by Seward Johnson, “Welcome Home” (2014) at Grounds for Sculpture. Top inspired by OSGEMEOS exhibition ‘Portal’ at Lehmann Maupin Gallery.
The Borden Park Pavilion was the first of several interventions by the architecture and urbanism firm, which also designed the magnificent natural swimming pool that recently opened there (one of our favourite projects of 2018 ). Illusuak Cultural Centre by Saunders Studio, 2018. Calgary Central Library by Snøhetta and Dialog, 2018.
In 2018, the Italian photographer even earned an endorsement from fashion designer J onathan Anderson , who along with a panel of esteemed judges chose to feature him in an exhibition and book spotlighting photography ’s rising stars. Looking at his portfolio, it’s clear to see the cross-pollination. .
David was the inaugural Associate Director of the Maamwizing Indigenous Research Institute and the Director of the McEwen School of Architecture from 2018 to 2021. In 2018, David was co-curator of UNCEDED: Voices of the Land , Canada’s official representation at the Venice Biennale. and Canada. Evan Jerry.
In an immersive installation at Locust Projects, textile sculptures will be shown in concert with the projected video game, which can also be downloaded. The work will be developed as an immersive installation that can be experienced in person and online as part of a solo exhibition at [NAME] Publications. Cynthia Cruz: Ai Ai and I Pt.1
Moriyama & Teshima and Acton Ostry Architects ’ winning scheme for the mass-timber tower (formerly dubbed The Arbour) was announced in April 2018 and took home the AZ Award for Unbuilt Buildings the next year. A symbol of winding migrant journeys, the sculptural form culminates in panoramic views of the landscape.
“Isiqhaza” (June 10, 2018, Philadelphia). These wearables are sculptural in construction and made from commonplace objects: clothespins are strung together as a necklace, dried grasses splay outward like the brim of a hat, and rolls of toilet paper cascade over a figure’s shoulders. “It could be a teacher. .”
At Eternity's Gate (2018). Kusama: Infinity (2018). At Eternity's Gate (2018), Julian Schnabel. As the exhibition takes shape, a mix of interviews and archival footage look back at Marina’s pioneering role in the field of performance art. Kusama: Infinity (2018), Heather Lenz. Frida (2002). Marina Abramovi?:
In addition to these storied vessels, which range vastly in scale, he also relays more personal experiences in his sculptural works. Prior to establishing her namesake business in 2018, the Master of Architecture grad played key roles on the product development teams of two of Canada’s leading furniture companies, EQ3 and Gus* Modern.
Highly regarded for her versatility and hands-on approach, Bargmann received her BFA in sculpture at Carnegie Mellon University before earning her Masters in landscape architecture at Harvard. He has also designed products and exhibition stands for companies such as Alessi, B&B Italia, Cassina, Fantini, Kartell and Knoll.
And the beneficial effect of all those air-borne plants is mitigated, as the British landscape architect Tim Waterman wrote in Azure in 2018 , if a complex sits (as Bosco Verticale does) above an underground parking garage full of polluting Maseratis. Capela do Monte by Álvaro Siza Viera, 2018. And beauty in purity.
Introduced in 2018, the table is made of Hotavlje stone from Slovenia, its CNC-cut components fitting together like an eclectically imagined puzzle. On show at Luminaire Lab, the exhibition “Ethereal Simplicity: Piero Lissoni / Konstantin Grcic” brings together the outputs of the two prolific designers.
Māori people are the second largest ethnic group in New Zealand; according to a 2018 census, the population was 775,000 out of a total number of 5 million people. With this new umbrella identity, Matiu successfuly applied for New Zealand Sculpture Onshore, a leading sculptureexhibition in the country.
His work has been exhibited at the Victoria and Albert Museum in London, Alyce de Roulet Williamson Gallery in Pasadena, Galerie Triode in Paris, Museo Bagatti Valsecchi in Milan and the Dallas Museum of Art. He also won several design competitions across Europe in 2015, 2017 and 2018.
1979, Mexico City) was known for her temporary and small-scale built projects, primarily for her much-celebrated Serpentine Pavilion — an atmospheric courtyard assembled out of seemingly floating cement roof tiles — that graced the London’s Kensington Gardens in 2018. He conceived it as a poetic structure, a living sculpture.
Dr. Fortin is a citizen of the Métis Nation of Ontario and in 2018 became the first Indigenous person to direct a school of architecture in Canada. Over the past 16 years, Mabeo has exhibited in global design events and has received many awards, including for best craftsmanship at the International Contemporary Furniture Fair in New York.
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