2018 Art Gallery Industrial Design 
Azure Magazine
JANUARY 23, 2024
Lee Alumni Centre and Ponderosa Hub, both at the University of British Columbia (UBC); Ottawa’s Global Centre for Pluralism for the Aga Khan Foundation of Canada; the Remai Modern Art Gallery of Saskatchewan; and the recently completed Harrison McCain Pavilion for Beaverbrook Art Gallery in Fredericton, New Brunswick.
Eye on Design
JUNE 24, 2022
A procession of designers had made their way to the city over the course of the year to take part in a new workshop/exhibition space supported by KW Institute for Contemporary Art — Na Kim , Karel Martens, Esen Karol, Fikra ’s Salem Al-qassimi, among them. All design by Wkshps. How did you find your way to graphic design?
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Azure Magazine
MAY 3, 2024
From Douglas Cardinal’s Canadian Museum of History and Raymond Moriyama’s Science North to John and Patricia Patkau’s Audain Art Gallery, the country’s public galleries and museums claim a leading place in the national design discourse, providing a civic lens through which we understand culture, art, history, and nature.
Shillington
MARCH 14, 2023
“My love of art led me to work in museums and galleries. However, whilst working at the Australian Museum, I was intrigued and inspired by the work that the designers did. Wyatt Welles, Shillington New York Graduate Wyatt Welles graduated from Shillington New York in 2018 and is now a freelance art director and designer.
Shillington
FEBRUARY 3, 2022
It’s also home to over 30 art institutions, most notably the Cincinnati Art Museum which is home to over 100,000 pieces. The best of these courses is Shillington’s innovative graphic design course that gets you fully prepared to work as a graphic designer in a seriously short amount of time.
Design Milk
DECEMBER 29, 2021
We’re joined by Brooklyn-based industrial designer Joseph Guerra of Guerra Office. Finding the Brilliance in Public Art with Liz West. Finding “Surprise and Delight” in Everyday Objects. His cork Shapes Bundle for the athleisure retailer remains indisputably excellent.)
Design Week
AUGUST 13, 2020
The creative and cultural sector have still a lot of work to do to lobby more effectively about the economic contribution they make (£212 billion in 2018 or 11% of the economy). Some have done extremely well financially, while the performing arts, museum and music sectors have been very badly hit in particular.
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