2017 Industrial Design Programming 
Azure Magazine
APRIL 10, 2024
In 2017, French industrial designer Matali Crasset reimagined the experience, showcasing collections from CNAP (The National Centre of Plastic Arts) and FRAC (Regional Contemporary Art Fund). Last year, the program included two 2023 exhibitions: “Musique!
UX Collective
JUNE 5, 2022
Almost 50 years later, in March 2017, the Whanganui River in New Zealand was the first river to be granted personhood [2]. Yes, there are important movements like sustainable design, eco design and circular design. There are plenty of tools and frameworks to consider the environmental impact during a design process.
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UX Collective
SEPTEMBER 19, 2022
It was done with a line of text through an artificial intelligence program called Midjourney. It is no wonder designers in top companies are progressing because their classically trained designers are also syncing and transiting into Industry 4.0. In the age of Industry 3.0, Design in Tech Report 2017.
Design Milk
MAY 19, 2023
Nick Ozemba , co-founder of In Common With , met his eventual business partner, Felicia Hung, on the first day of their freshman year in the furniture design program at RISD. After graduation, he went on to design interiors at ASH NYC and SHoP Architects, while Hung went to work as a product designer.
Inkbot Design
JANUARY 9, 2024
50+ Best Gifts for Designers on Every Budget Designers are creative professionals who use their artistic talents to communicate ideas visually. Whether in graphic design , industrial design, interior design, or other specialities, designers rely on inspiration, software, tools, and technology to bring their visions to life.
Graphic Mama
JUNE 30, 2022
Adobe Illustrator has become an industry standard. Used by many professional designers, it’s a robust program with plenty of tools and features that could help you create amazing vector designs. But to say it’s the perfect vector program will be exaggerated. Gravit Designer. Affinity Designer.
Eye on Design
MAY 26, 2021
Dot Dot Dot’s approach to graphic design often gets categorized as ‘critical design’—a term Bailey rejects in the final issue. A subtext that can be read in the writing of many of these designers is a frustration—and perhaps disaffection—with graphic design as it is traditionally practiced.
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