2012 Fine Art Magazine 
Creative Boom
JANUARY 15, 2024
A 2012 graduate from Boston University's College of Fine Art, she's also the creative director of Brooklyn Magazine print publication. Recently, she was invited to craft a display for Desert Island Comics in Brooklyn's hip area of Williamsburg.
Creative Boom
AUGUST 25, 2023
Described as the "master conjurer of the instantly familiar," she straddles the line between pop culture and fine art in her work. In a typical project in 2012, Scher created a new logo for Windows 8 that took it back to its roots as a window. Early in the development process, Scher asked: "Your name is Windows.
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Design Milk
JANUARY 19, 2024
” Launching in 2012, with a collective background in fine arts, curation, creative direction, design, publishing, and fashion, With Projects, Inc. Collecting the ears of famous musicians for the cover art was a super fun process since the premise of the book revolves around a family saga and hearing loss.
Eye on Design
AUGUST 11, 2021
After earning a degree in design at the Tokyo National University of Fine Arts and Music, Ishioka began her career as a designer working in the advertisement industry, but throughout her wide-ranging career, she moved effortlessly between the roles of graphic designer, art director, and an Oscar-winning costume designer.
UX Collective
MARCH 26, 2023
It is a typical painting influenced by Constructivism (1915–1930) (The Art Story, 2012). This photo was published in the avant-garde magazine i10. Atlas Gallery | Fine Art Photography. The Museum of Modern Art. Bauhaus effects in art, architecture and design. 2012, October 5). The Art Story.
Design Week
NOVEMBER 23, 2021
He later studied at the Philadelphia Museum School of Art and Pennsylvania Academy of Fine Arts before moving to New York. Early professional work included illustrations for magazines such as Esquire and Seventeen. Speaking to Design Week in 2012 , Gill did not hold back.
Eye on Design
MARCH 10, 2022
When the exhibition was ready, I walked around it with Marek Pokorny, who was then director of the city’s fine and applied arts gallery. Pokorny had never seen Fella’s work before; his background as a critic and curator was in fine art, not design. Wild, Fella’s best explicator, wrote about him in Emigre magazine (no.
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