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F5: Fabrice Juan Talks Unexpected Architecture, a Favorite Italian Museum + More

Design Milk

Fabrice Juan first stepped out to found his own agency in 2011 following extensive work experience as Jean-Louis Deniot’s project manager – and a supportive push from his wife. A dialogue between architecture and furniture design, innovation and style, presents itself across Juan’s portfolio.

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Designing with the brain in mind: a deep dive into neuroaesthetics

UX Collective

2011 ) Pioneered by leading neurobiologists such as Semir Zeki, this field moves beyond the subjective nature of aesthetics. 2011 ) In neuroaesthetics, we find that our aesthetic preferences may not be as subjective or culturally influenced as we once thought. Anjan Chatterjee. Neuroaesthetics: a coming of age story.”

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It’s not your fault you suck at video games

UX Collective

No one has ever said “I enjoy the difficulty of Dark Souls (2011) because I don’t know how to control the camera”, for example. Furthermore, in such games, button inputs are usually presented with the action. It should be noted that games have sought to address this problem by incorporating a button layout guide.

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Reviewed: New Logo and Identity for Stefanie Nelson Dancegroup by Gretel

Under Consideration / Brand

Founded by artistic director Stefanie Nelson -- whose choreographic work has been described as "instinctual, untamed, and edgy" -- the group produces original work in partnership with performers, visual artists, and composers, presenting their work nationally and internationally. The SND monogram echoes the geometry of movement.

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Knowing Your Design History is Crucial to Aesthetic Innovation

Eye on Design

Knowing design history gives context to our contemporary visual culture—we can use the past to decode the present and forecast a stylistic future. . Memphis-styled interior, Memphis Group, 2011. Christian Dior fetishized the look in his 2011 runway show. Great Wheel of Style, Lorraine Wild, 2000.

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I ?? NY

Fonts in Use

“I ❤️ NY” presentation board, two-line version, 1976, as archived in the MoMA collection. “I ❤️ NY” presentation board, one-line version, 1976, as archived in the MoMA collection. Concept layout, 1976, as archived in the MoMA collection. License: All Rights Reserved.

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A new book designed by Span pays homage to lowrider culture

Creative Boom

Slow & Low was originally founded in 2011 as an annual Chicago street festival but has since grown to a high-profile event with over 10,000 attendees. The columns also embody a sense of undulation, mirroring the bouncing movement of a lowrider, as does the book's grid, which Span used for the layout of photos.