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ORCA crafts an immersive identity for family-owned Cornish brewery

Creative Boom

The Bristol agency put their design skills to work, developing a visual identity for craft brewery St Austells that can scale as it grows. This presented a new opportunity to collaborate and launch a new brand for a series of tap rooms that could appeal to a broad, diverse audience. In 2023 they achieved B Corp certification.

Agency 411
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'Start Yesterday': 7 female founders share their tips for success in the creative industry

Creative Boom

Image licensed via Adobe Stock In honour of International Women's Day , Creative Boom invited female founders from seven creative agencies across the US and UK to share their experiences and advice on what it takes to build an agency from the ground up. Here's what they had to say.

Agency 528
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F5: Fabrice Juan Talks Unexpected Architecture, a Favorite Italian Museum + More

Design Milk

Fabrice Juan first stepped out to found his own agency in 2011 following extensive work experience as Jean-Louis Deniot’s project manager – and a supportive push from his wife. A dialogue between architecture and furniture design, innovation and style, presents itself across Juan’s portfolio.

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Forging singularity with The Type Factory

Abduzeedo

The University of Algarve, together with Faro City Council and Designers’ National Association, have been hosting ADM since 2011, giving design national and international centre stage once more by connecting designers, companies, academia, the industry and society. For more information on “The Type Factory” exhibition please visit .

Agency 85
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For one week only: access the CR archive for free!

Creative Review

Perhaps you might spend your time looking back at how we have covered major brands or companies over the years, whether that be enduring creative brands such as Nike or Coca-Cola, or the industry’s most creative agencies and studios, including Wieden + Kennedy or Pentagram.

Client 89
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Editor’s Choice: 6 Must-Reads From Eye on Design in 2021

Eye on Design

What does it mean , I kept thinking, that a big design studio and an undergraduate design student are presenting their work the same way and getting mockups from the same places? . Shannon Ebner ASTER/SK R/SK R/SK (2011). A couple weeks later, a very big design studio shared a rebrand they worked on and used the exact same mockups.

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Design Researcher Zara Arshad on Documenting East Asian Visual Culture and Tracing the “In-between”

Eye on Design

From 2011 to 2019, Arshad was documenting the field of contemporary design in and beyond China through her blog Design China. As I was flipping through the site, it felt like an archive—I could connect the dots between past and present. These interviews are presented as part of The Unheard Archive.