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“Books remain stubbornly, thrillingly relevant”: the enduring value of book design

Design Week

” And while there might not be one rule to good book design — Strelecki calls it a “process” between designers and clients — the jurors bring together a wealth of experience. Together and through that selection process, they might reveal answers to the secret of good book design Strelecki says.

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A Massive Catalogue of Stitched CMYK Studies by Evelin Kasikov Merges Printing and Embroidery

Colossal

“XXXX Swatchbook” (2010-2016), 180 x 210 millimeters. In total, the printing-focused book is comprised of four base tones, 16 elements, and 400 swatches of color entirely hand-embroidered in 219,647 stitches. During the next six years, though, the project evolved into the uniquely comprehensive artist book it is now.

Print 101
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15+ Best Design Thinking Books to Read

Inkbot Design

Graphic Design Thinking comes here, as it presents many methods applicable to any brainstorming scenario. The techniques presented in the book are grouped around the three primary phases of the design process: defining the problem, inventing ideas, and creating form.

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The mechanics of non-human personas

UX Collective

Yes, there are important movements like sustainable design, eco design and circular design. Design For The Real World by Victor Papanek / Photo via Twitter We can replace “industrial design” with “interaction design”, “UX design” or “service design” and the quote is still accurate. Papanek, V.

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10 Fresh Font Pairings for Editorial Design in 2020

Shillington

Designed by Ian Parry of Swiss Typefaces in 2011, it’s a great way to give a sense of legibility and formality to your designs while exuding a lot more personality than, say, the overused Helvetica. A sans-serif font, Didact Gothic was designed to present each letter in the form most often used in elementary classrooms.

Fonts 69
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Typographically Nuanced, Reseach-Based, and Socially Driven — Inventory Press Share Their Favorite Books

Eye on Design

In 2010, graphic designer Adam Michaels was looking for a different kind of book series. He wanted to see more accessible, visual and editorially experimental books, books that were typographically and materially nuanced, research-based, and socially-driven. I Mean Me. I Mean You.

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The case for using non-human personas in design

UX Collective

Getting started with non-human personas To start building non-human personas for your own design projects, you can download a free PDF template along with examples and other resources from the companion website of our book Design Think Make Break Repeat. There is also a Miro version of the template. References Cooper A.: