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The 37 Best Design Books to Level Up Your Skills

Inkbot Design

Core design principles Concepts of visual organisation and composition Creative problem-solving processes Graphic design history Ideal for beginners yet insightful for experienced designers, Graphic Design Theory helps cement core graphic design knowledge. The Design of Everyday Things remains a must-read for new designers.

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Fab new typefaces to freshen up your design projects this Spring

Creative Boom

Its design was inspired by book covers from the first half of the 20th century, particularly those crafted in the 1930s for the renowned publisher Albatross. In short, Module is a distinctive contemporary display font that's suitable for both digital and print-based projects that you want to stand out.

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What’s the value of a writing workshop for designers?

UX Collective

Getting Ready to Write I borrowed the idea for this workshop from the curriculum of the two-week Summer Intensive offered by the School of Visual Arts’ DCrit (now called Design Research) program where I was a student a few Junes ago, sitting around a table like the one at Penn. kind of like user research with yourself as the subject.

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Milton Glaser: Designing a Cultural Revolution

Inkbot Design

The next time you see a 16-color, blind-embossed, gold-stamped, die-cut, elaborately folded and bound job, printed on handmade paper, see if it isn't a mediocre idea trying to pass for something else. One particular highlight was when Glaser was awarded the prestigious National Medal of Arts in 2009 by President Barack Obama.

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Women You Should Know in Graphic Design History

Tuts Plus

Gail Anderson is a graphic designer and writer who graduated from the School of Visual Arts. Marian Bantjes, GQ Italy cover, October 2009. Irma started her career at The Government Printing and Publishing Office by doing an internship. Dorothy Hayes, Print's 30th Anniversary issue. Anoushka Khandwala.

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35 Famous Graphic Designers You Need To Know

Shillington

On top of this, she is also a teacher at the School of Visual Arts, contributes to Imprint and Uppercase magazine and has co-authored numerous books, including The Typographic Universe, American Typeplay and New Modernist Type. He lectures at his alma mater the School of Visual Arts and other colleges across America.