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'I destroy the work after an exhibition': Inside the weird worlds of artist JeeYoung Lee

Creative Boom

South Korean visual artist and designer JeeYoung Lee is returning to London's NOW Gallery with her upcoming exhibition, Maiden Voyage. In the 2009 version of Maiden Voyage, the papers were cut by hand to make the ginkgo leaves, and the boat sculpture was made of cardboard paper. © JeeYoung Lee. © JeeYoung Lee. © JeeYoung Lee.

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Somerset House art show revisits the last 50 years through the prism of horror

Creative Boom

That's the theory, at least, expounded by a new exhibition hosted by London's Somerset House. Harminder Judge, Self Portrait (after Kali & Gene), 2009. The exhibition's third and final act, Witch, focuses on the period stretching from 2008's financial crash until the present day. Jamie Reid, Monster On a Nice Roof, 1972.

Art 411
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Animated by Wind, Theo Jansen’s ‘Strandbeest’ Sculptures Have Evolved into Flying Creatures

Colossal

The sculptural animals are known as Strandbeests and are part of a growing menagerie by artist Theo Jansen ( previously ), who’s been constructing large-scale, kinetic beings powered entirely by the wind since 1990. “Animaris Umerus, Scheveningen” (2009). Photo by Loek van der Klis. Photo by Loek van der Klis.

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Sprawling Roots and Richly Hued Gowns Permeate Mary Sibande’s Postcolonial Artworks

Colossal

Through photographs, sculptures, and sprawling installations that scale floor to ceiling, the South African artist most often features a central Black woman, who is shown enveloped in purple roots or grasping thick, black thread dangling from a nearby portrait. Get a deeper look into her work on Artsy.

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In a Patterned Menagerie, Artist Anne Lemanski Stitches Printed Papers into Animal Forms

Colossal

Some of the artist’s animals are on view in a group exhibition at Penland Gallery through September 17, and others are included in a forthcoming book devoted to North Carolina’s art culture. “Fennec Fox (Dog Star)” (2009), copper, ink on paper, artificial sinew, 17 1/2 x 14 x 12 inches. via Women’s Art ).

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It’s time for dimensional thinking in design

UX Collective

Because words do not necessarily have to be written in straight lines, just like sculpture may not need to have permanence, Sirató ends the manifesto with the following words, “Deductive with respect to the past. Vanja Malloy (pictured on the center) curated the Dimensionism exhibition in 2018. That they participate in our exhibition.

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DM 15th Anniversary: Column Roundup

Design Milk

Launched back in 2009, the Deconstruction column features a designer or brand sharing with us the making of a product/prototype through a series of process photos and descriptions – essentially showing everyone a breakdown of how a product came to be – typically from the initial sketch to the finished product. Deconstruction. Friday Five.