2006 Exhibition Sculpture 
Design Milk
NOVEMBER 23, 2021
The Amsterdam-based artist duo DRIFT is known for deconstructing and remixing reality, transforming everyday objects into surprising sculptures that shift our perceived relationships with the world. The masterpiece of the exhibition is the room-filling double-self-portrait titled “The artist she/her” and “The artist he/him” from 2021.
Design Milk
JANUARY 25, 2022
Curated by Luis Pérez-Oramas, the exhibition is visually electric and perfectly selected – every single work is worth a pause. Below are six of my favorite works from the exhibition in chronological order. Objecto Cinético, 1968/2006. Objecto Cinético, 1968/2006 (detail). Progressão K-62, 1993. W-H180, 2019.
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Colossal
MAY 11, 2022
Her sculptures of ammonites, palm leaves, and single buds are minimal in form and incredibly detailed in construction, with oscillating lines delineating the edge of a fossil or an elaborate web expanding into a plump cherry blossom. “My sculpture, I like to think of them as the bones of something. via Women’s Art ).
Colossal
JULY 25, 2024
Coyne gravitates toward texts rooted in feminist principles, which she then puts into conversation and filters through large-scale sculptures and installations. In addition to her sculptural works, the artist is a longtime collaborator with the anonymous feminist collective Guerilla Girls.
Feature Shoot
SEPTEMBER 17, 2023
Roger Ballen, Headless, 2006 © courtesy Roger Ballen Roger Ballen first heard the ancient myth of Icarus, the boy who flew too close to the sun, when he was six years old. A catalog for the exhibition is also available via Kehrer Verlag. “Birds can fly. .” They might even giggle or laugh.”
Colossal
NOVEMBER 6, 2023
All images © Pam Longobardi, shared with permission In 2006, Pam Longobardi traveled to Ka Lae, the southernmost tip of Hawaii’s Big Island, for a residency. “Pam In Net” (2008), Southpoint, Hawai’i, Hawai’i Wildlife Fund collaboration. Photo by Megan Lamson. “It’s (an) all-places problem.”
Design You Trust
OCTOBER 12, 2021
Woodman’s estate, which is managed by her parents, consists of over 800 prints, of which only around 120 images had been published or exhibited as of 2006. Woodman created at least 10,000 negatives, which her parents now keep. Many of Woodman’s images are untitled and are known only by a location and date.
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