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Karl Taylor on how Visual Education is transforming online learning for creatives

Creative Boom

Illustrators are diving into digital realms. Founded by renowned photographer Karl Taylor in 2006, Visual Education has evolved from its roots in photography instruction to become a comprehensive resource for creatives across multiple disciplines. Photographers are directing commercials. Graphic designers are incorporating 3D elements.

Education 413
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10 best artist and illustration agents in New York City

Creative Boom

With the rise of digital tools both for making art and sending it around the world in an instant, in one sense, it's now easier than ever to make money as a freelance illustrator. With its rich tapestry of art galleries, publishing houses and media outlets, New York City is a veritable hub for illustration agents.

Artist 483
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How Type Designers are Digitizing and Preserving Cyrillic Typefaces in Serbia

Eye on Design

who died in 2006 before the verdict of his trial for war crimes and genocide. As Yugoslavia fell apart, the digital revolution boomed. There were few digital typefaces that supported the unique Serbian characters, and computer encodings made it cumbersome to type in the native language. Stojadinovi?, Stojadinovi?,

Digital 145
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Digital literacy and standard design patterns

UX Collective

Are our standard design patterns good enough for the entire spectrum of digital literacy or are we just designing for ourselves? Back then our department’s adage was “to provide support for all B2C and B2B digital channels”. We’re responsible for all customer facing digital channels.” So my own digital literacy also has a limit.

Digital 92
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No exit?—?every feed is a traffic jam

UX Collective

These “RSS feeds” were the inspiration for Facebook’s 2006 personalized “news feed” which was originally both introduced and perceived as a feature for stalkers. Today almost all of them are powered by algorithms, with publish-time being a prominent yet not the only ingredient in our infinitely-scrolling media diet.

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To rebrand or not to rebrand?

UX Collective

It was a three-dimensional, tactile icon that provided the right amount of nostalgia for a digital app on a digital screen. Instagram also quietly removed the stor y it had published about this rebranding from its blog. According to Business Insider, M r. Adweek called it “a travesty.” billion MAU in 202 2. The rest is history.

Fashion 129
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Rudolph the Red-Nosed Reindeer movie titles

Fonts in Use

Started by Armin Haab and Alex Stocker in 1954, this book series was published in four volumes by Niggli in Teufen, Switzerland. Zug: DNS-Transport GmbH, 2006 [my translation from the German]. For information about digital interpretations of Weiß-Initialen, see our typeface page. Showing of Lawless Type in Lettera 2, 1961.

Fonts 79