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In ‘Zoophites,’ Les Lalanne Hybridize Beasts and Botany into Functional Sculptures

Colossal

It’s also an apt title for a poetic exhibition of sculptures blending beastly and botanical forms by the late Claude (1925-2019) and François-Xavier Lalanne (1927-2008). Become a Colossal Member today and support independent arts publishing for as little as $5 per month.

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Ann Weber Elevates Discarded Cardboard Boxes and Staples to New Heights in Billowing Sculptures

Colossal

Exemplifying the possibilities of combining humble materials with a good dose of resourcefulness, Ann Weber ’s monumental sculptures find their beginnings in discarded cardboard boxes. “The sculptures can be viewed as a critique of contemporary consumerist culture, but that is not my sole intent,” she continues. Photo by M.

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26 Contemporary Chinese Artists Explore Materiality in ‘Allure of Matter’

Colossal

79 (2002–7), polyurethane, colophony, iron powder, silk, and cocoons. Become a Colossal Member and support independent arts publishing. Liang Shaoji, “Chains: The Unbearable Lightness of Being” of Nature Series No.79 Installation view at the Los Angeles County Museum of Art, image © Museum Associates/LACMA. ?.

Artist 94
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Women’s History Month–Redefining Their Fields

Thinking Design

She continued to work with the publisher, Otto Beyer, until the beginning of the Nazi Regime. After fleeing to Frankfurt, Popitz switched from advertising to working mainly in publishing, notably her covers for the Insel-Bücherei book series, where the titles wrap around abstract backgrounds.

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All About Avenir & Fonts Similar to Avenir

Envato Tuts+

Adrian Frutiger pictured in 2002, towards the end of his period working on Avenir Next alongside Linotype’s in-house type designer Akira Kobayashi. Working alongside the foundry’s in-house designer Akira Kobayashi , the pair created Avenir Next , publishing the first release of the typeface in 2004. Image from Wikimedia Commons.

Fonts 93
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Decoding the future: the evolution of intelligent interfaces

UX Collective

Minority Report (2002) One of the most famous examples is the user interface in Minority Report. Refik Anadol uses projection mapping and machine learning to create immersive AI data sculptures and interactive art installations. It’s exciting that what used to be science fiction and innovation concepts are now becoming reality.

Digital 114
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Petah Coyne’s Wax Sculptures and Installations Vacillate Between Beauty and Monstrosity

Colossal

“Untitled #1074” (2002), specially-formulated wax, pigment, silk Duchesse satin, silk flowers, tassels, chicken-wire fencing, wire, metal basket, 5/16-inch 30 Grade proof coil chain, quick-link shackles, paper towels, jaw-to-jaw swivel, cable, cable nuts, 36 x 31 x 24 inches.