This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
Credit: Margaret Nolan Margaret Nolan has led Denomination as co-founder and Global Creative Director since 2002. I used the design from the Glasgow School of Art doors on the capsule as its sculptural form contrasted with the geometry of the bottle. I thought this was perfect for a luxury bottle of whisky encased in this shape.
It’s also an apt title for a poetic exhibition of sculptures blending beastly and botanical forms by the late Claude (1925-2019) and François-Xavier Lalanne (1927-2008). Having worked as a guard in the Egyptian and Assyrian galleries of the Louvre, the artist often referenced ancient mythology and hybridity in his figures.
Exemplifying the possibilities of combining humble materials with a good dose of resourcefulness, Ann Weber ’s monumental sculptures find their beginnings in discarded cardboard boxes. ” Weber recently wrapped up a major exhibition at Wönzimer Gallery in Los Angeles. . Photo by Ray Carofano. Photo by Sibila Savage. Photo by M.
My favorite Joel Shapiro sculpture is in the collection of The Metropolitan Museum of Art – an orange dancer-like structure that has made me smile since the first day I arrived in New York, now 23 year ago. Debuting here are three new massive wood sculptures – each taller than any viewer. Joel Shapiro: Out of the Blue.
Collection of the artist, courtesy of Pace Gallery. Collection of the artist, courtesy of Pace Gallery. 79 (2002–7), polyurethane, colophony, iron powder, silk, and cocoons. Ai Weiwei, “Tables at Right Angles” (1998), Tables from the Qing dynasty (1644–1911). Stockamp Tsai Collection, New York.
Frida (2002). National Gallery (2014). Frida (2002), Julie Taymor. The house is currently in display as a landmark in the Art Gallery of Nova Scotia. The film interviews those closest to Ai, from family members to art gallery managers. National Gallery (2014), Frederick Wiseman. At Eternity's Gate (2018).
All images courtesy of the artist and Roslyn Oxley9 Gallery, Sydney, shared with permission. Her sculptures of ammonites, palm leaves, and single buds are minimal in form and incredibly detailed in construction, with oscillating lines delineating the edge of a fossil or an elaborate web expanding into a plump cherry blossom.
Norm The Worm by Bobbi Rae Karel Martens 2024 Calendar by Present & Correct Big House coffee by NewGround Friend's Annual Membership by Yorkshire Sculpture Park Yorkshire Sculpture Park (YSP) is an open-air gallery in West Bretton near Wakefield in West Yorkshire, and the largest sculpture park of its kind in Europe.
New York galleries are currently observing “summer hours” (closed on weekends), but there are some exceptional under-the-radar gems worth sneaking out of work a little early on a weekday. Innovation, curiosity, intelligence, and visual sparks link my four favorite gallery exhibitions on view now in New York.
She explored a range of media, from painting to sculpture, even before her formal design education began. She went to the artists 2002 exhibit, In the Shadow of Light, eight times, fascinated by his deft use of tints. Frandsen / Hans Alf Gallery 1. Drawn to color and tactility, Osther focused on the path ahead. Photo: Erik A.
We organize all of the trending information in your field so you don't have to. Join 66,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content