2002 Fine Art Presentation 
High on Design by Wix
MAY 26, 2020
This is especially true when the exploration is conducted by acclaimed directors and actors, merging the two artforms of cinema and fine art. The following 10 movies about artists include fictionalized accounts of real stories, as well as some of the best art documentaries. Frida (2002). The Artist Is Present (2012).
Feature Shoot
NOVEMBER 25, 2019
The new exhibition Live Dangerously , currently on view at the National Museum of Women in the Arts in Washington D.C. through January 20, 2020, presents the work of 12 women photographers who create a new way of seeing and engaging with the natural world. But why wait until it’s too late?
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Eye on Design
JUNE 24, 2022
You studied at Yale, where you got a bachelors in fine art. You moved to New York from Berlin in 2002. was about presentation, it wanted to make almost like perfect, polemical presentations—one after another, in a kind of narrative sequence. From the beginning it was about production, not presentation.
Creative Market
FEBRUARY 4, 2023
You’re about to make your next presentation super eye-catching! Skillet Serif Typeface Emil (the designer behind Fenotype ) has created over 200 font families since 2002, and Skillet Serif Typeface is a doozy! Animated Creative Studio Template Angela Santos creates presentation templates and illustration packs just for you!
Feature Shoot
SEPTEMBER 7, 2022
” She’d just bought a 2002 Nissan Pathfinder and outfitted it with a bed in the back, and although she’d driven through Baja before, she’d never done the Pacific Coast Highway. “A lot of these photographs were taken in moments where beauty presented itself and caught my eye.”
Feature Shoot
JUNE 5, 2023
Cobra, 1961 © Christer Strömholm Remembering a Community of Transgender Women Living in Paris in the 1950s-60s In the 1950s, the Swedish photographer Christer Strömholm (1918-2002) found his home-away-from-home at Paris’s Place Pigalle.
Feature Shoot
OCTOBER 6, 2019
Gallerist Howard Greenberg is one such person who understand this point of view, having not only helped establish the medium of photography in the haughty market of art, but having established a collection whose value extends far beyond the pallid discussion of price. Manuel Alvarez Bravo (Mexican, 1902–2002).
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