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Sound and vision: the 3D animation of Reggie Perry, Jr

Creative Boom

looked at the Savannah College of Art and Design in 2001, the fees were too high for him to attend Georgia's famous art school. The record became a hit in Europe, and he still works under that name, remixing tracks by leading Hip-Hop artists and adding his own 3D animated visuals. "By When Reggie Perry, Jr.

Animation 406
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Bulgarian logo archive

Logo Design Love

A self-funded project, the team behind ABVA “documents, stores, studies, and popularises examples of different visual arts from Bulgaria.” For more classic Bulgarian logos, here’s the previously featured Stefan Kanchev (1915–2001), who, in 1971, was honoured by the Bulgarian state with the title of “national artist.”

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Processing: the Software that Shaped Creative Coding

Eye on Design

What started in 2001 as a side project has since become a worldwide environment used by thousands of people to explore the creative possibilities of coding. By 2001, Reas had graduated from MIT and was teaching, while Fry was working on a Ph.D. The idea we pulled from the arts was: You don’t really often know where you’re going.

Coding 135
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Paula Scher: A Visual Symphony of Graphic Design Mastery

Inkbot Design

She is also a passionate educator who has taught at renowned institutions like the School of Visual Arts in New York. The AIGA Medal, awarded to Scher in 2001, recognised her exceptional contributions to graphic design. Teaching and Mentorship Paula Scher's influence extends beyond her design projects.

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Design Week picks: 5 speakers to see at Offset 2020

Design Week

Alongside his work with Pentagram, Simms also teaches design at the School of Visual Arts in New York. His most recent project has seen him create an identity for the Atlantic Theatre’s 2019-2020 season programme. With this in mind, visitors can expect his talk to navigate his own career and the industry as a whole.

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Unexpected Learnings From Coding Artwork Every Day For Five Years

Smashing Magazine Graphics

Processing is an environment for learning how to code within the context of the visual arts, an open-source project that started in 2001. The HYPE Framework helped me to get back into coding and back into creating artworks using “ Processing ”. The HYPE Framework is a collection of Processing classes.

Coding 99
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What does Lewisham’s Borough of Culture win mean for its creative scene?

Design Week

Studio Raw’s been based in Deptford since 2001; and Molina says she has worked on networking events to join the creative community in Lewisham, which is particularly strong in Deptford, she says. One of those is Deptford X, which is London’s longest running contemporary visual arts festival.

Art 87